玛丽亚·卢戈内斯
殖民主义把严格的二元性别体系强加给许多以不同方式安排性别的民族,所以女性主义也必须是去殖民的。
定位
阿根廷裔美国哲学家:“性别的殖民性”——殖民主义强加了二元的性别体系——是去殖民女性主义的基础;“世界”旅行作为爱的感知。
核心思想
- 性别的殖民性
- 去殖民女性主义
- “世界”旅行
影响
受影响于 3
格洛丽亚·安扎尔杜亚
受其影响
Lugones read Anzaldúa’s new mestiza as a figure of resistance that lives the tension between worlds, close to Lugones’s own ‘world’-travelling (‘On Borderlands/La Frontera’, 1992). M. Lugones, “On Borderlands/La Frontera: An Interpretive Essay”, Hypatia 7 (1992); G. Anzaldúa, Borderlands/La Frontera: The New Mestiza (1987)
依据: AI 草稿
格洛丽亚·安扎尔杜亚 › 1942–2004
奥耶隆克·奥耶乌米
受其影响
Lugones drew on Oyěwùmí’s thesis that precolonial Yoruba society was not organised by gender to argue colonialism imposed a gender system (‘Heterosexualism and the Colonial/Modern Gender System’, 2007). M. Lugones, “Heterosexualism and the Colonial/Modern Gender System”, Hypatia 22 (2007); O. Oyěwùmí, The Invention of Women (1997)
依据: AI 草稿
奥耶隆克·奥耶乌米 › 约1957年年生
金伯莉·克伦肖
受其影响
In “Heterosexualism and the Colonial/Modern Gender System” (2007) Lugones took up Crenshaw’s intersectionality – it shows what stays invisible when gender and race are conceived as separate categories, namely women of colour – and traced that separation to the colonial imposition of gender. M. Lugones, “Heterosexualism and the Colonial/Modern Gender System”, Hypatia 22:1 (2007), 186–209
依据: AI 草稿
金伯莉·克伦肖 › 1959年生
影响了 1
塔利娅·梅·贝切尔
影响了
Bettcher used Lugones’s idea of multiple ‘worlds’ to argue that in trans communities ‘woman’ applies to trans women without qualification (2013; ‘Trapped in the Wrong Theory’, 2014). T. M. Bettcher, “Trans Women and the Meaning of ‘Woman’”, in A. Soble, N. Power and R. Halwani (eds.), The Philosophy of Sex (6th ed., 2013); “Trapped in the Wrong Theory”, Signs 39 (2014); M. Lugones, “Playfulness, ‘World’-Travelling, and Loving Perception”, Hypatia 2 (1987); SEP “Feminist Perspectives on Trans Issues”
依据: AI 草稿
塔利娅·梅·贝切尔 › 约1966年年生
批评
批评了 1
阿尼瓦尔·基哈诺 受其影响
受其影响
Lugones extended Quijano’s coloniality of power into a ‘coloniality of gender’ and a programme of decolonial feminism (‘Toward a Decolonial Feminism’, 2010). M. Lugones, “Toward a Decolonial Feminism”, Hypatia 25 (2010); A. Quijano, “Colonialidad del poder, eurocentrismo y América Latina” (2000)
依据: AI 草稿
批评了
Lugones extended Quijano’s coloniality of power but objected that he takes gender for granted as biological and heterosexual; colonialism imposed this gender system (Hypatia, 2007). M. Lugones, “Heterosexualism and the Colonial/Modern Gender System”, Hypatia 22 (2007), 186–209; “Toward a Decolonial Feminism”, Hypatia 25 (2010)
依据: AI 草稿
阿尼瓦尔·基哈诺 › 1928–2018
作品
- 2007异性恋主义与殖民/现代性别体系
基哈诺的权力殖民性忽略了性别:殖民主义把一套二元的、等级制的性别体系强加给被殖民的人民。
立场
In her essay on “world”-travelling (1987) Lugones described how women of colour move between “worlds” in which they are perceived differently; travelling to another’s world with playful, loving perception, rather than arrogant perception, makes solidarity possible. Later she extended Quijano’s coloniality of power, arguing that he took gender for granted as biological and heterosexual. Drawing on Oyěwùmí and others, she held that colonialism imposed a binary, hierarchical gender system on colonised peoples, in which colonised women were not even counted as “women”. This “coloniality of gender” grounds a decolonial feminism that resists from the fractured place between colonial categories and older ways of life.
生平与背景
María Lugones was born in Buenos Aires in 1944 and later moved to the United States. She earned a doctorate in philosophy and political science at the University of Wisconsin. She taught at Carleton College and then for many years at Binghamton University, in comparative literature, philosophy and women’s studies. Alongside her academic work she was active in popular education and grassroots organising. She died in 2020.
其他主要作品
- Playfulness, “World”-Travelling, and Loving Perception (1987)
- Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions (2003)
- Heterosexualism and the Colonial/Modern Gender System (2007)
- Toward a Decolonial Feminism (2010)
出现在
截至 2026年11月 · 来源 · 改进本页 · Agora 是如何制作的