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Slavoj Žižek

ur. 1949

Pierwsze przybliżeniecelowe uproszczenie – portret mówi więcej

Ideologia nie jest kłamstwem, w które wierzymy, lecz fantazją, według której żyjemy, nawet gdy wiemy lepiej – a Hegel i Lacan pomagają ją zdemaskować.

Umiejscowienie

Socjalizm, anarchizm, marksizm i teoria krytyczna · Europa Południowa · Polityka i prawo, Społeczeństwo i historia, Metafizyka, Religia

Słoweński filozof, który czyta Hegla przez Lacana, a obu wbrew ideologii współczesności – z żartami, filmami i paradoksami.

Kluczowe idee

  • Ideologia jako fantazja
  • Lacanowski heglizm
  • Szczelina paralaksy

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Wpływ

Pod wpływem 8

  • Immanuel Kant

    pod wpływem ✓

    Žižek read Kant’s paralogisms, in which the subject cannot know itself as a substance, as anticipating Lacan’s empty subject (Tarrying with the Negative, 1993). S. Žižek, Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology (1993)

    Źródło: także w Wikidanych · Wikidata · InPhO

    Immanuel Kant › 1724–1804

  • Georg Wilhelm Friedrich Hegel

    pod wpływem ✓

    Žižek read Hegel through Lacan, treating negativity and contradiction as constitutive of the subject and of reality itself (Less Than Nothing, 2012). S. Žižek, Less Than Nothing: Hegel and the Shadow of Dialectical Materialism (2012); Tarrying with the Negative (1993)

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    Georg Wilhelm Friedrich Hegel › 1770–1831

  • Friedrich Wilhelm Joseph von Schelling

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    In The Indivisible Remainder (1996) Žižek read Schelling’s Ages of the World as an account of how the Word emerges from a pre-symbolic ground of drives. S. Žižek, The Indivisible Remainder: An Essay on Schelling and Related Matters (1996); The Abyss of Freedom (1997)

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    Friedrich Wilhelm Joseph von Schelling › 1775–1854

  • Karol Marks

    pod wpływem ✓

    Žižek read Marx’s formula ‘they do not know it, but they are doing it’ as locating ideology in practice, not belief (The Sublime Object of Ideology, 1989). S. Žižek, The Sublime Object of Ideology (1989); K. Marx, Das Kapital I (1867), on the fetish character of the commodity

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    Karol Marks › 1818–1883

  • Sigmund Freud

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    Žižek read Marx’s commodity form like Freud’s dream, whose secret lies in the dream-work, not the latent content (The Sublime Object of Ideology, 1989). S. Žižek, The Sublime Object of Ideology (1989); S. Freud, Die Traumdeutung (1900)

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    Sigmund Freud › 1856–1939

  • Jacques Lacan

    pod wpływem ✓

    Žižek took up Lacan’s registers of the Imaginary, Symbolic and Real and his concept of fantasy to analyse ideology and popular culture (Looking Awry, 1991). S. Žižek, The Sublime Object of Ideology (1989); Looking Awry: An Introduction to Jacques Lacan through Popular Culture (1991)

    Źródło: także w Wikidanych · Wikidata · InPhO

    Jacques Lacan › 1901–1981

Pokaż wszystko (8)Pokaż mniej
  • Louis Althusser

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    Žižek took up Althusser’s theory of ideology as interpellation and material ritual, arguing that interpellation never fully succeeds (The Sublime Object of Ideology, 1989). S. Žižek, The Sublime Object of Ideology (1989); L. Althusser, “Idéologie et appareils idéologiques d’État” (1970)

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    Louis Althusser › 1918–1990

  • Karatani Kōjin

    pod wpływem

    Žižek built The Parallax View (2006) on Karatani’s Transcritique: On Kant and Marx (2003), taking over its notion of the “parallax” between irreducible perspectives. S. Žižek, The Parallax View (2006), Introduction; “The Parallax View”, New Left Review 25 (2004); K. Karatani, Transcritique (2003)

    Źródło: szkic AI

    Karatani Kōjin › ur. 1941

Krytyka

Krytyka ze strony 1

  • Judith Butler

    krytyka ze strony

    Butler objected that Žižek’s Lacanian Real works as an ahistorical, quasi-transcendental limit that fixes sexual difference beyond political contest (Bodies That Matter, 1993; Contingency, Hegemony, Universality, 2000). J. Butler, Bodies That Matter (1993), ch. 7 “Arguing with the Real”; J. Butler, E. Laclau & S. Žižek, Contingency, Hegemony, Universality (2000)

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    Judith Butler › ur. 1956

Krytykuje 3

  • Gilles Deleuze

    krytykuje

    Žižek preferred the Deleuze of The Logic of Sense to the Anti-Oedipus Deleuze, whose praise of desiring flows he saw as fitting late capitalism (Organs without Bodies, 2004). S. Žižek, Organs without Bodies: On Deleuze and Consequences (2004)

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    Gilles Deleuze › 1925–1995

  • Jürgen Habermas

    krytykuje

    Žižek opened The Sublime Object of Ideology (1989) by reading Habermas’s neglect of Lacan as symptomatic, setting Lacan’s constitutive antagonism against Habermas’s ideal of transparent communication. S. Žižek, The Sublime Object of Ideology (1989), Introduction

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    Jürgen Habermas › 1929–2026

  • Antonio Negri

    krytykuje

    Žižek credited Hardt and Negri’s Empire as an analysis of global capitalism but said it leaves open who the multitude is and what it should do (2001). S. Žižek, “Have Michael Hardt and Antonio Negri Rewritten the Communist Manifesto for the Twenty-First Century?”, Rethinking Marxism 13 (2001)

    Źródło: szkic AI

    Antonio Negri › 1933–2023

Dzieła

Stanowisko

Žižek reads Hegel through the psychoanalysis of Jacques Lacan, and both against the ideology of the present. Ideology, he argues, is not a false picture covering the real world but a fantasy that structures our reality itself: we often know very well what we are doing and do it anyway. His examples come from Hollywood films, jokes and everyday life as much as from philosophy. In The Parallax View and Less Than Nothing he develops a materialism in which reality itself is incomplete and split by gaps. Prolific and provocative, he became one of the best-known public intellectuals of the early twenty-first century.

Życie i kontekst

Žižek was born in Ljubljana, then part of Yugoslavia, in 1949 and studied philosophy and sociology there. In Paris he trained in Lacanian psychoanalysis and took a second doctorate. With Mladen Dolar and others he formed the Ljubljana School. In 1990 he ran for Slovenia’s collective presidency. He works at the University of Ljubljana and has held many guest positions, including in London and New York.

Dalsze główne dzieła

  • The Sublime Object of Ideology (1989)

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