贝尔·胡克斯
女性主义必须包括黑人和贫困的女性，因为种族主义、资本主义和父权制作为一个体系共同起作用——而教育可以使人获得自由。
定位
她以曾祖母的名字写作，名字全用小写：女性主义必须包括黑人和贫困女性；“帝国主义的白人至上资本主义父权制”是一个相互咬合的体系，而教育可以成为自由的实践。
核心思想
- 人人都能享有的女性主义
- 相互咬合的支配体系
- 教育作为自由的实践
影响
受影响于 4
安娜·朱莉娅·库珀
受其影响
In Ain’t I a Woman (1981) hooks drew on Anna Julia Cooper’s A Voice from the South (1892), with Mary Church Terrell, for a tradition of Black women who confronted both the racism of white feminists and the sexism of Black men; the passage has not been checked here. b. hooks, Ain’t I a Woman: Black Women and Feminism (1981); A. J. Cooper, A Voice from the South (1892)
依据: AI 草稿
安娜·朱莉娅·库珀 › 1858–1964
佐拉·尼尔·赫斯顿
受其影响
bell hooks read Hurston as an anthropologist and writer who preserved Black folk culture and its voice (‘Saving Black Folk Culture’, in Yearning, 1990). b. hooks, “Saving Black Folk Culture: Zora Neale Hurston as Anthropologist and Writer”, in Yearning: Race, Gender, and Cultural Politics (1990)
依据: AI 草稿
佐拉·尼尔·赫斯顿 › 1891–1960
保罗·弗莱雷
受其影响 ✓
bell hooks took up Freire’s critique of ‘banking’ education and his idea of conscientisation for an engaged pedagogy, teaching as a practice of freedom (Teaching to Transgress, 1994). b. hooks, Teaching to Transgress: Education as the Practice of Freedom (1994); P. Freire, Pedagogia do oprimido (1968)
依据: 亦见于 Wikidata · Wikidata
保罗·弗莱雷 › 1921–1997
奥德雷·洛德
受其影响
bell hooks took up Lorde’s call to transform silence into speech as the ground of ‘talking back’, citing her ‘A Litany for Survival’ (Talking Back, 1989). b. hooks, Talking Back: Thinking Feminist, Thinking Black (1989); A. Lorde, “The Transformation of Silence into Language and Action” (1977); “A Litany for Survival”, in The Black Unicorn (1978)
依据: AI 草稿
奥德雷·洛德 › 1934–1992
影响了 2
帕特里夏·希尔·柯林斯
影响了
In Black Feminist Thought (1990) Collins drew on hooks’s Ain’t I a Woman (1981) and on the margin as a vantage for seeing the whole (1984). P. H. Collins, Black Feminist Thought (1990); b. hooks, Ain’t I a Woman: Black Women and Feminism (1981); Feminist Theory: From Margin to Center (1984)
依据: AI 草稿
帕特里夏·希尔·柯林斯 › 1948年生
金伯莉·克伦肖
影响了
Crenshaw drew on bell hooks’ analysis of how Black women are erased in both feminist and antiracist discourse (Ain’t I a Woman, 1981) in framing intersectionality (1989). K. Crenshaw, “Demarginalizing the Intersection of Race and Sex”, University of Chicago Legal Forum (1989); b. hooks, Ain’t I a Woman: Black Women and Feminism (1981)
依据: AI 草稿
金伯莉·克伦肖 › 1959年生
批评
批评了 1
弗朗茨·法农
批评了
In “Feminism as a Persistent Critique of History” (1996) hooks objected that Fanon’s vision of liberation is addressed to men and leaves out Black women and love between Black people, while stressing how much his work had meant to her. b. hooks, “Feminism as a Persistent Critique of History: What’s Love Got to Do with It?”, in A. Read (ed.), The Fact of Blackness: Frantz Fanon and Visual Representation (1996)
依据: AI 草稿
弗朗茨·法农 › 1925–1961
作品
黑人女性对性别歧视和种族主义的经验，从奴隶制到一种忽视她们的女性主义。
- 1984女性主义理论：从边缘到中心
女性主义是一场终结性别压迫的运动，而不是特权女性的一种生活方式。
立场
Her first book, “Ain’t I a Woman”, begun while she was an undergraduate, argued that American feminism had been shaped by white middle-class women and had ignored Black women, who faced sexism and racism at once; Black liberation movements, in turn, had reproduced patriarchy. “Feminist Theory: From Margin to Center” redefines feminism as “a movement to end sexism, sexist exploitation and oppression”, a definition that includes men and does not depend on identity. hooks named the system she opposed “imperialist white-supremacist capitalist patriarchy”, insisting that its parts interlock and cannot be fought separately. Drawing on Paulo Freire, she described teaching as a practice of freedom.
生平与背景
bell hooks (1952–2021) was born Gloria Jean Watkins in Hopkinsville, Kentucky, and studied at Stanford, Wisconsin and Santa Cruz. She wrote under the name of her great-grandmother, in lowercase to put the work before the author. She taught at Yale, Oberlin and the City College of New York before returning to Kentucky in 2004 to teach at Berea College, where the bell hooks Institute holds her papers.
其他主要作品
- Ain’t I a Woman: Black Women and Feminism (1981)
- Feminist Theory: From Margin to Center (1984)
- Teaching to Transgress (1994)
- All About Love (2000)
出现在
- 旅程 ‘女性主义哲学’ · 第 8 站，共 11 站
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