苏莱曼·巴希尔·迪亚涅
苏莱曼·巴希尔·迪亚涅认为,正如伊克巴尔所表明的,伊斯兰思想通过保持运动而忠于其源头,而非洲艺术如桑戈尔借助柏格森所读的那样,本身就是一种哲学;翻译是传统抵达横向普遍性的途径。
定位
毕业于巴黎高等师范学院的塞内加尔哲学家,曾在达喀尔、西北大学和哥伦比亚大学任教:他研究逻辑史(布尔)、伊克巴尔关于伊斯兰中运动的哲学、桑戈尔借助柏格森对非洲艺术的解读,以及作为语言与传统之间思考方式的翻译。
核心思想
- 伊斯兰思想中的忠实与运动
- 作为哲学的非洲艺术
- 翻译作为语言的语言
- 横向的普遍主义
影响
受影响于 5
亨利·柏格森
受其影响
Diagne showed how Bergson’s philosophy of intuition and of the élan vital shaped both Senghor and Iqbal, and used it to read Négritude. S. B. Diagne, African Art as Philosophy (2011); Bergson postcolonial (2011)
依据: AI 草稿
亨利·柏格森 › 1859–1941
穆罕默德·伊克巴尔
受其影响
Diagne read Iqbal’s Reconstruction as a philosophy of movement that opens Islamic thought to time, change and an open society. S. B. Diagne, Islam et société ouverte (2001; English Islam and Open Society, 2010); Comment philosopher en islam ? (2008)
依据: AI 草稿
穆罕默德·伊克巴尔 › 1877–1938
列奥波德·塞达尔·桑戈尔
受其影响
Diagne interpreted Senghor’s Négritude as a philosophy of African art and defended it against the charge of essentialism. S. B. Diagne, Léopold Sédar Senghor : l’art africain comme philosophie (2007; English African Art as Philosophy, 2011); SEP “Négritude” (Diagne)
依据: AI 草稿
列奥波德·塞达尔·桑戈尔 › 1906–2001
路易·阿尔都塞 师从
师从 ✓
Diagne trained at the École normale supérieure in the late 1970s (agrégation 1978); he recalls Althusser’s lectures there, among them one on the notion of beginning, applied to Marx. S. B. Diagne, interview with C. Fowler, In the Foreground (podcast, Clark Art Institute, 2021)
依据: 亦见于 Wikidata · Wikidata
路易·阿尔都塞 › 1918–1990
雅克·德里达 师从
师从 ✓
At the École normale supérieure Derrida prepared Diagne and his fellow students for the agrégation (1978), above all for the lecture exercise; Diagne says he still uses the deconstructive skills of that training in his own teaching. S. B. Diagne, interview with C. Fowler, In the Foreground (podcast, Clark Art Institute, 2021)
依据: 亦见于 Wikidata · Wikidata
雅克·德里达 › 1930–2004
作品
对伊克巴尔《伊斯兰宗教思想的重建》的研究:伊克巴尔把古兰经读作对运动和个体性的召唤,从而使伊斯兰思想向时间、变化和开放社会敞开;迪亚涅把他与柏格森及其时代的改革者联系起来。
借助柏格森解读桑戈尔:黑人性首先是一种非洲艺术的哲学,它通过节奏和直觉把握世界;迪亚涅为桑戈尔辩护,反驳本质主义的指责,并说明柏格森对分析理性的批判如何塑造了他。
立场
Diagne is on the map as a philosopher who works across the history of logic, Islamic philosophy and African philosophy, and who has made translation a central philosophical theme. His first books dealt with George Boole’s algebra of logic. In his study of Muhammad Iqbal (Islam and Open Society, 2001) and in Comment philosopher en islam? (2008; English Open to Reason, 2018) he argued that the Islamic philosophical tradition, from the falasifa to Iqbal, is marked by a tension between fidelity to the sources and movement, and that Iqbal’s reading of the Qur’an as a call to individuality, time and change opens Islam to an open society; he connected this with Bergson, whose philosophy of time Iqbal knew. In Léopold Sédar Senghor: l’art africain comme philosophie (2007; English African Art as Philosophy, 2011) he read Négritude as a philosophy of African art, developed with Bergson’s critique of analytic reason, and defended Senghor against the charge of essentialism; he also wrote the SEP entry on Négritude. The Ink of the Scholars (2016) collects reflections on philosophy in Africa, including the scholarly tradition of Timbuktu. In De langue à langue (2022) he presented translation – with a phrase of Ngũgĩ wa Thiong’o – as “the language of languages”, a practice of hospitality between languages that builds a “lateral universal”, in Merleau-Ponty’s term, instead of an imposed one. His account of the debates on “Africanity” is drawn on in the SEP entry on contemporary Africana philosophy.
生平与背景
Souleymane Bachir Diagne was born on 1 November 1955 in Saint-Louis in Senegal. After school in Dakar he went to the Lycée Louis-le-Grand in Paris and in 1977 entered the École normale supérieure, where Louis Althusser and Jacques Derrida were among his teachers; he passed the agrégation in philosophy in 1978 and took his doctorate with work on the algebraic logic of George Boole. He taught for about twenty years at the Université Cheikh Anta Diop in Dakar and from 1993 to 1999 advised President Abdou Diouf on education and culture. He then taught at Northwestern University (2002–08) and from 2008 at Columbia University in New York, as professor of French and of philosophy, where he has also directed the Institute of African Studies.
其他主要作品
- Boole, l’oiseau de nuit en plein jour (1989)
- Islam et société ouverte. La fidélité et le mouvement dans la pensée de Muhammad Iqbal (2001; English 2010)
- Léopold Sédar Senghor : l’art africain comme philosophie (2007; English 2011)
- Comment philosopher en islam ? (2008; English Open to Reason, 2018)
- Bergson postcolonial. L’élan vital dans la pensée de Senghor et de Mohamed Iqbal (2011)
- The Ink of the Scholars: Reflections on Philosophy in Africa (2016)
- De langue à langue. L’hospitalité de la traduction (2022)
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