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Raymond Williams

1921–1988

A first way ina deliberate simplification – the portrait says more

For Williams, culture means both the arts and a whole way of life, made and remade by ordinary people; in every society a dominant culture coexists with residual and emergent ones, and “structures of feeling” register lived experience before it hardens into fixed ideology.

Placement

Socialism, Anarchism, Marxism & Critical Theory Neighbouring field: Cultural studies · Northern Europe · Society & History, Aesthetics, Language, Politics & Law

Welsh literary and cultural critic in Cambridge and a founder of cultural studies: for him culture was “ordinary”, a whole way of life and not only the arts; his “cultural materialism” treats literature, language and media as material social practices within relations of hegemony.

Key ideas

  • Culture is ordinary
  • Structures of feeling
  • Cultural materialism
  • Dominant, residual and emergent

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Influence

Influenced by 2

  • Karl Marx

    influenced by

    Williams reworked Marx’s base and superstructure from the 1859 Preface, treating culture as material production rather than reflection (‘Base and Superstructure in Marxist Cultural Theory’, 1973). R. Williams, “Base and Superstructure in Marxist Cultural Theory”, New Left Review I/82 (1973); Marxism and Literature (1977)

    Evidence: AI draft

    Karl Marx › 1818–1883

  • Antonio Gramsci

    influenced by

    In Marxism and Literature (1977) Williams took up Gramsci’s distinction between rule and hegemony, describing hegemony as a lived system of meanings and values. R. Williams, Marxism and Literature (1977), “Hegemony”; A. Gramsci, Selections from the Prison Notebooks (tr. 1971)

    Evidence: AI draft

    Antonio Gramsci › 1891–1937

Influenced 2

  • Stuart Hall

    influenced

    Hall counted Williams’s Culture and Society (1958) and The Long Revolution (1961) among the founding texts of the ‘culturalist’ paradigm of cultural studies (‘Cultural Studies: Two Paradigms’, 1980). S. Hall, “Cultural Studies: Two Paradigms”, Media, Culture and Society 2 (1980); R. Williams, Culture and Society (1958); The Long Revolution (1961)

    Evidence: AI draft

    Stuart Hall › 1932–2014

  • Edward Said

    influenced

    Said built on Williams’s The Country and the City (1973) and his structures of feeling, while noting that Williams said little about empire (Culture and Imperialism, 1993). E. W. Said, Culture and Imperialism (1993); The World, the Text, and the Critic (1983); R. Williams, The Country and the City (1973)

    Evidence: AI draft

    Edward Said › 1935–2003

Works

  • From Burke and Cobbett through Mill, Carlyle, Arnold, Ruskin and Morris to Lawrence, T. S. Eliot, Leavis and Orwell: how the idea of culture became a court of appeal against industrial society, as culture, industry, democracy, class and art changed meaning.

  • Reworks Marxist cultural theory: base and superstructure become aspects of one material social process, Gramsci’s hegemony a lived system of meanings and values, challenged by residual and emergent forms and registered in “structures of feeling”; Williams calls the position “cultural materialism”.

Position

Williams is on the map as a founder of cultural studies and as a Marxist theorist of culture. “Culture and Society 1780–1950” (1958) traced how the words industry, democracy, class, art and culture changed their meaning in response to the industrial revolution, from Burke and Cobbett to Leavis and Orwell, and argued for a “common culture” built on the working-class idea of solidarity. “The Long Revolution” (1961) defined culture as a whole way of life and developed the “structure of feeling” as a term for the lived experience of a period. “Keywords” (1976) traced the history of the words in which modern society understands itself. In “Marxism and Literature” (1977) he reworked Marx’s base and superstructure and Gramsci’s hegemony into a “cultural materialism” that treats culture as material production within society and distinguishes dominant, residual and emergent forms. Stuart Hall counted “Culture and Society” and “The Long Revolution” among the founding texts of cultural studies; Edward Said built on “The Country and the City” (1973) while noting how little it says about empire. Williams also wrote on drama, television and Wales and belonged to the New Left. Critics have questioned his focus on England and his idea of rooted communities; these objections are set out under “Context & critique”.

Life & context

Raymond Henry Williams was born on 31 August 1921 in Pandy, near Abergavenny on the Welsh border; his father was a railway signalman and secretary of the local Labour Party. From King Henry VIII Grammar School in Abergavenny he won a state scholarship to read English at Trinity College, Cambridge, in 1939, and joined the Communist Party there, a membership that later lapsed. From 1941 he served in the army and fought as an anti-tank officer in Normandy in 1944. After graduating in 1946 he taught adult education classes for the Oxford University Extra-Mural Delegacy and the Workers’ Educational Association in East Sussex until 1961 and co-founded the review Politics and Letters. In 1961 he became a fellow of Jesus College, Cambridge, and from 1974 to 1983 he was the university’s first Professor of Drama. Besides criticism he wrote novels, beginning with Border Country (1960). He died in Saffron Walden on 26 January 1988.

Further main works

  • Border Country (1960)
  • The Long Revolution (1961)
  • The Country and the City (1973)
  • Keywords: A Vocabulary of Culture and Society (1976)

Sources: Wikipedia · Wikidata

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