نغوغي وا ثيونغو
رأى نغوغي وا ثيونغو أن اللغة تحمل ثقافة الشعب وذاكرته، فتستعمر اللغات الاستعمارية العقل؛ وأن على الكتّاب الأفارقة أن يكتبوا باللغات الأفريقية، وأن إنهاء الاستعمار عملية مستمرة في أن يرى المرء نفسه بوضوح وأن ينقل المركز.
التموضع
روائي ومسرحي ومنظّر كيني من ليمورو: بعد دراسته في ماكيريري وليدز وسنة اعتقال دون محاكمة (1978) تخلّى عن الإنجليزية إلى الكيكويو لغةً لأدبه؛ وحاجّ في «إنهاء استعمار العقل» (1986) بأن اللغات الاستعمارية تستعمر العقل وبأن على الأدب الأفريقي أن يُكتب بلغات أفريقية.
الأفكار الرئيسة
- اللغة حاملة الثقافة
- إنهاء استعمار العقل
- الكتابة باللغات الأفريقية
- تحريك المركز
التأثير
تأثّر بـ 1
فرانتس فانون
تأثّر بـ
Ngũgĩ drew on Fanon’s chapter on national culture in The Wretched of the Earth throughout Decolonising the Mind (1986); reading Fanon in the 1960s shaped his turn to anti-colonial politics. Ngũgĩ wa Thiong’o, Decolonising the Mind (1986); S. Gikandi, Ngugi wa Thiong’o (2000)
التوثيق: مسودة بالذكاء الاصطناعي
فرانتس فانون › 1925–1961
أثّر في 1
أشيل مبيمبي
أثّر في
Mbembe took up Ngũgĩ’s Decolonising the Mind and his idea of decolonisation as a continuing process of “seeing ourselves clearly” in the debates on decolonising South African universities. A. Mbembe, “Decolonizing Knowledge and the Question of the Archive” (lecture, WISER, Johannesburg, 2015)
التوثيق: مسودة بالذكاء الاصطناعي
أشيل مبيمبي › وُلد 1957
الأعمال
أربع محاضرات وبيان وداع للإنجليزية: اللغة تحمل ثقافة الشعب وذاكرته، والتعليم الاستعماري، الذي عاقب الأطفال على التكلم بالغيكويو، فصل الفكر عن لغة الحياة اليومية؛ وعلى الكتّاب الأفارقة أن يكتبوا بلغات أفريقية لشعوبهم.
مقالات في نقل مركز العالم من أوروبا إلى تعددية من الثقافات، وداخل الأمم من النخب الأقلية إلى الشعب العامل؛ وتحمل حجة «إنهاء استعمار العقل» إلى الأدب والمسرح والجامعة.
الموقف
Ngũgĩ is on the map as the central theorist of language in African decolonisation. In Decolonising the Mind (1986), which he called his farewell to English, he argued that language is both a means of communication and a carrier of culture – of a people’s memory, values and image of itself – and that colonial education, which punished children for speaking Gĩkũyũ at school and rewarded them for English, separated the language of learning from the language of home and so colonised the mind. African literature written in European languages, however anti-colonial in content, belonged in his view to an “Afro-European” tradition addressed to an elite; writers should write in African languages for their own peoples, and translation between African languages should replace the detour through Europe. The argument drew on Fanon’s chapter on national culture in The Wretched of the Earth and on a Marxist analysis of culture and class, and it set him against Chinua Achebe, who defended writing in an English made African. In Moving the Centre (1993) and later essays he called for moving the centre of the world from Europe to a plurality of cultures, and within nations from the elites to the people. Achille Mbembe (2015) took up his idea of decolonisation as a continuing process of “seeing ourselves clearly” in the debates on decolonising South African universities, and Souleymane Bachir Diagne borrowed his phrase that translation is “the language of languages”. His novels from A Grain of Wheat (1967) to Wizard of the Crow (2006) and his prison diary Detained (1981) accompany the theory.
الحياة والسياق
Ngũgĩ wa Thiong’o was born James Ngugi on 5 January 1938 in Kamiriithu near Limuru in central Kenya, into a large peasant family; during the Mau Mau war and the state of emergency of the 1950s one of his brothers joined the guerrillas and his mother was detained. He studied English at Makerere University College in Kampala and then at the University of Leeds; Weep Not, Child (1964) was the first novel in English published by an East African writer. In 1968, with Henry Owuor-Anyumba and Taban Lo Liyong, he called for the abolition of the English department at the University of Nairobi in favour of a department of African literatures and languages. After the Gĩkũyũ play Ngaahika Ndeenda (I Will Marry When I Want), written with Ngũgĩ wa Mĩriĩ and performed with villagers at Kamiriithu in 1977, he was held without trial in a maximum-security prison for a year, where he wrote his first novel in Gĩkũyũ on toilet paper. Barred from his university post, he went into exile in 1982 and taught in London, at Yale, at New York University and from 2002 at the University of California, Irvine. He died in the United States on 28 May 2025.
أعمال رئيسة أخرى
- Weep Not, Child (1964)
- A Grain of Wheat (1967)
- Homecoming: Essays on African and Caribbean Literature, Culture and Politics (1972)
- Petals of Blood (1977)
- Devil on the Cross (Caitaani mũtharaba-inĩ, 1980)
- Detained: A Writer’s Prison Diary (1981)
- Wizard of the Crow (Mũrogi wa Kagogo, 2004–07)
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