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恩古吉·瓦·提昂戈

1938–2025

初步了解有意简化——人物介绍讲得更多

恩古吉·瓦·提昂戈认为,语言承载一个民族的文化与记忆,所以殖民语言殖民人的心灵;非洲作家应当用非洲语言写作,去殖民化是一个持续的过程,即清楚地看待自己并移动中心。

定位

非洲与非洲裔哲学 · 撒哈拉以南非洲 · 语言, 政治与法, 社会与历史, 美学

来自利穆鲁的肯尼亚小说家、剧作家和理论家:在马凯雷雷和利兹求学、并在未经审判的情况下被关押一年(1978年)后,他放弃英语,改用吉库尤语写作小说;在《去殖民化思想》(1986年)中,他主张殖民语言殖民人的心灵,非洲文学必须用非洲语言来写。

核心思想

  • 语言是文化的载体
  • 去殖民化思想
  • 用非洲语言写作
  • 移动中心

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影响

受影响于 1

  • 弗朗茨·法农

    受其影响

    Ngũgĩ drew on Fanon’s chapter on national culture in The Wretched of the Earth throughout Decolonising the Mind (1986); reading Fanon in the 1960s shaped his turn to anti-colonial politics. Ngũgĩ wa Thiong’o, Decolonising the Mind (1986); S. Gikandi, Ngugi wa Thiong’o (2000)

    依据: AI 草稿

    弗朗茨·法农 › 1925–1961

影响了 1

  • 阿希尔·姆本贝

    影响了

    Mbembe took up Ngũgĩ’s Decolonising the Mind and his idea of decolonisation as a continuing process of “seeing ourselves clearly” in the debates on decolonising South African universities. A. Mbembe, “Decolonizing Knowledge and the Question of the Archive” (lecture, WISER, Johannesburg, 2015)

    依据: AI 草稿

    阿希尔·姆本贝 › 1957年生

作品

  • 四篇演讲和一份告别英语的声明:语言承载一个民族的文化与记忆,而惩罚说吉库尤语孩子的殖民学校,使思想与日常生活的语言相分离;非洲作家必须为自己的民族用非洲语言写作。

  • 论文集,讨论把世界的中心从欧洲移向多元文化,并在各国之内从少数精英移向劳动人民;它们把《去殖民化思想》的论点带入文学、戏剧和大学。

立场

Ngũgĩ is on the map as the central theorist of language in African decolonisation. In Decolonising the Mind (1986), which he called his farewell to English, he argued that language is both a means of communication and a carrier of culture – of a people’s memory, values and image of itself – and that colonial education, which punished children for speaking Gĩkũyũ at school and rewarded them for English, separated the language of learning from the language of home and so colonised the mind. African literature written in European languages, however anti-colonial in content, belonged in his view to an “Afro-European” tradition addressed to an elite; writers should write in African languages for their own peoples, and translation between African languages should replace the detour through Europe. The argument drew on Fanon’s chapter on national culture in The Wretched of the Earth and on a Marxist analysis of culture and class, and it set him against Chinua Achebe, who defended writing in an English made African. In Moving the Centre (1993) and later essays he called for moving the centre of the world from Europe to a plurality of cultures, and within nations from the elites to the people. Achille Mbembe (2015) took up his idea of decolonisation as a continuing process of “seeing ourselves clearly” in the debates on decolonising South African universities, and Souleymane Bachir Diagne borrowed his phrase that translation is “the language of languages”. His novels from A Grain of Wheat (1967) to Wizard of the Crow (2006) and his prison diary Detained (1981) accompany the theory.

生平与背景

Ngũgĩ wa Thiong’o was born James Ngugi on 5 January 1938 in Kamiriithu near Limuru in central Kenya, into a large peasant family; during the Mau Mau war and the state of emergency of the 1950s one of his brothers joined the guerrillas and his mother was detained. He studied English at Makerere University College in Kampala and then at the University of Leeds; Weep Not, Child (1964) was the first novel in English published by an East African writer. In 1968, with Henry Owuor-Anyumba and Taban Lo Liyong, he called for the abolition of the English department at the University of Nairobi in favour of a department of African literatures and languages. After the Gĩkũyũ play Ngaahika Ndeenda (I Will Marry When I Want), written with Ngũgĩ wa Mĩriĩ and performed with villagers at Kamiriithu in 1977, he was held without trial in a maximum-security prison for a year, where he wrote his first novel in Gĩkũyũ on toilet paper. Barred from his university post, he went into exile in 1982 and taught in London, at Yale, at New York University and from 2002 at the University of California, Irvine. He died in the United States on 28 May 2025.

其他主要作品

  • Weep Not, Child (1964)
  • A Grain of Wheat (1967)
  • Homecoming: Essays on African and Caribbean Literature, Culture and Politics (1972)
  • Petals of Blood (1977)
  • Devil on the Cross (Caitaani mũtharaba-inĩ, 1980)
  • Detained: A Writer’s Prison Diary (1981)
  • Decolonising the Mind: The Politics of Language in African Literature (1986)
  • Moving the Centre: The Struggle for Cultural Freedoms (1993)
  • Wizard of the Crow (Mũrogi wa Kagogo, 2004–07)

来源: Wikipedia · Wikidata

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