أدريانا كافاريرو
كل إنسان فريد، وتظهر هذه الفرادة لا فيما يكونه المرء بل في مَن يكونه، في قصة حياته التي يرويها الآخرون؛ والفلسفة القائمة على الإنسان المجرد تنسى الأجساد والميلاد والفرق الجنسي.
التموضع
فيلسوفة إيطالية شاركت في تأسيس جماعة ديوتيما الفلسفية النسائية في فيرونا، أعادت قراءة النصوص الكلاسيكية من منظور الاختلاف الجنسي، وأسست، تتبعًا لآرنت، فرادة كل شخص على القصة التي يستطيع الآخرون روايتها عنه.
الأفكار الرئيسة
- الاختلاف الجنسي
- الذات القابلة للسرد
- الفرادة والعلائقية
- إعادة قراءة التقليد (بالرغم من أفلاطون)
التأثير
تأثّر بـ 2
حنة آرنت
تأثّر بـ
Cavarero turned Arendt’s distinction between what and who someone is into a philosophy of the narratable self (Tu che mi guardi, tu che mi racconti, 1997). A. Cavarero, Tu che mi guardi, tu che mi racconti (1997; Eng. Relating Narratives, 2000); H. Arendt, The Human Condition (1958)
التوثيق: مسودة بالذكاء الاصطناعي
حنة آرنت › 1906–1975
لوسي إيريجاري
تأثّر بـ
Cavarero took up Irigaray’s thought of sexual difference with the Diotima community (Il pensiero della differenza sessuale, 1987) and reread female figures in Plato (Nonostante Platone, 1990). Diotima, Il pensiero della differenza sessuale (1987); A. Cavarero, Nonostante Platone (1990); P. Bono and S. Kemp (eds.), Italian Feminist Thought (1991)
التوثيق: مسودة بالذكاء الاصطناعي
لوسي إيريجاري › وُلد 1930
أثّر في 1
جوديث بتلر
أثّر في
Butler built on Cavarero’s Relating Narratives (1997; Eng. 2000), in which the self depends on others who tell its story, for Giving an Account of Oneself (2005). J. Butler, Giving an Account of Oneself (2005); A. Cavarero, Tu che mi guardi, tu che mi racconti (1997; Relating Narratives, 2000)
التوثيق: مسودة بالذكاء الاصطناعي
جوديث بتلر › وُلد 1956
النقد
ينتقد 1
أفلاطون
انتقد
Cavarero reclaimed female figures like Diotima from Plato’s patriarchal order, against a philosophy oriented to death and the abstract soul rather than birth (In Spite of Plato, 1990). A. Cavarero, Nonostante Platone (1990); Engl. In Spite of Plato (1995)
التوثيق: مسودة بالذكاء الاصطناعي
أفلاطون › 428–348 ق.م
الأعمال
تعيد قراءة أربع شخصيات نسائية في النصوص القديمة – بينيلوب وخادمة تراقية وديميتر وديوتيما – ضد النظام الأبوي للتقليد الفلسفي.
تصف، على خطى آرنت، كل شخص «ذاتًا قابلة للسرد» فريدة لا يستطيع أن يحكي قصة حياتها إلا الآخرون.
الموقف
Cavarero’s work rereads the philosophical tradition from the standpoint of sexual difference and develops, with Hannah Arendt, a philosophy of uniqueness. “In Spite of Plato” takes four female figures – Penelope, the Thracian maidservant who laughs at Thales falling into a well, Demeter and Diotima – out of their patriarchal context and reads them as signs of another order, one that begins with birth rather than death and with bodies rather than the abstract soul. In “Relating Narratives” Cavarero takes up Arendt’s distinction between what someone is and who someone is: the who is shown not by a definition but by the life story that others can tell, so that the self is from the outset exposed and related to others. Judith Butler built on this in “Giving an Account of Oneself” (2005), while stressing more strongly that the self remains partly opaque to itself. Later books extend the approach to the voice as the unique sound of a body, to violence against the defenceless, which Cavarero calls “horrorism”, and to a critique of the upright, self-sufficient subject in favour of a posture of inclination and care. The work draws on Luce Irigaray’s thought of sexual difference and on the collective work of Diotima. Some readers have asked whether an ethics of uniqueness and narration can account for social structures and conflict; Cavarero’s later work on plurality and democracy takes up this question.
الحياة والسياق
Adriana Cavarero was born on 7 May 1947 in Bra in Piedmont. After studying philosophy, Cavarero worked at the University of Padua until 1984; Cavarero’s first book, “Dialettica e politica in Platone” (1974), dealt with Plato’s political thought. In 1983 Cavarero was among the founders of the women’s philosophical community Diotima at the University of Verona, together with Luisa Muraro and others, and contributed to its first collective volume, “Il pensiero della differenza sessuale” (1987). At Verona Cavarero became professor of political philosophy and has also taught as a visiting professor in the United States, among others at New York University. “In Spite of Plato” (1990) was translated into German in 1992 and into English in 1995. It was followed by “Stately Bodies” (Corpo in figure, 1995), on images of the body politic, “Relating Narratives” (1997), “For More than One Voice” (A più voci, 2003), on the voice, “Horrorism” (Orrorismo, 2007), on violence against the defenceless, “Inclinations” (Inclinazioni), a critique of the upright subject, and “Surging Democracy” (Democrazia sorgiva, 2019). All of them have appeared in English and are widely discussed in feminist and political theory.
أعمال رئيسة أخرى
- Stately Bodies (Corpo in figure, 1995)
- For More than One Voice (A più voci, 2003)
- Horrorism (Orrorismo, 2007)
- Surging Democracy (Democrazia sorgiva, 2019)
بحسب الوضع في نوفمبر 2026 · المصادر · حسّن هذه الصفحة · كيف صُنع Agora