阿德里亚娜·卡瓦雷罗
每个人都是独一无二的,这种独特性不体现在一个人“是什么”,而体现在一个人“是谁”,体现在他人讲述的生命故事中;一种关于抽象之“人”的哲学遗忘了身体、诞生和性别差异。
定位
意大利哲学家,维罗纳女性哲学共同体“狄奥提玛”的创建者之一;卡瓦雷罗从性别差异的立场重读古典文本,并沿着阿伦特的思路,把每个人的独特性奠基于他人能够讲述的关于此人的故事之中。
核心思想
- 性别差异
- 可被讲述的自我
- 独特性与关系性
- 重读传统(《尽管有柏拉图》)
影响
受影响于 2
汉娜·阿伦特
受其影响
Cavarero turned Arendt’s distinction between what and who someone is into a philosophy of the narratable self (Tu che mi guardi, tu che mi racconti, 1997). A. Cavarero, Tu che mi guardi, tu che mi racconti (1997; Eng. Relating Narratives, 2000); H. Arendt, The Human Condition (1958)
依据: AI 草稿
汉娜·阿伦特 › 1906–1975
露丝·伊利格瑞
受其影响
Cavarero took up Irigaray’s thought of sexual difference with the Diotima community (Il pensiero della differenza sessuale, 1987) and reread female figures in Plato (Nonostante Platone, 1990). Diotima, Il pensiero della differenza sessuale (1987); A. Cavarero, Nonostante Platone (1990); P. Bono and S. Kemp (eds.), Italian Feminist Thought (1991)
依据: AI 草稿
露丝·伊利格瑞 › 1930年生
影响了 1
朱迪斯·巴特勒
影响了
Butler built on Cavarero’s Relating Narratives (1997; Eng. 2000), in which the self depends on others who tell its story, for Giving an Account of Oneself (2005). J. Butler, Giving an Account of Oneself (2005); A. Cavarero, Tu che mi guardi, tu che mi racconti (1997; Relating Narratives, 2000)
依据: AI 草稿
朱迪斯·巴特勒 › 1956年生
批评
批评了 1
柏拉图
批评了
Cavarero reclaimed female figures like Diotima from Plato’s patriarchal order, against a philosophy oriented to death and the abstract soul rather than birth (In Spite of Plato, 1990). A. Cavarero, Nonostante Platone (1990); Engl. In Spite of Plato (1995)
依据: AI 草稿
柏拉图 › 公元前428—前348年
作品
重读古代文本中的四个女性形象——佩涅洛佩、一名色雷斯女仆、得墨忒耳和狄奥提玛——以对抗哲学传统的父权秩序。
- 1997注视我的你,讲述我的你:叙事哲学
沿着阿伦特的思路,把每个人描述为独一无二的“可被讲述的自我”,其生命故事只能由他人来讲述。
立场
Cavarero’s work rereads the philosophical tradition from the standpoint of sexual difference and develops, with Hannah Arendt, a philosophy of uniqueness. “In Spite of Plato” takes four female figures – Penelope, the Thracian maidservant who laughs at Thales falling into a well, Demeter and Diotima – out of their patriarchal context and reads them as signs of another order, one that begins with birth rather than death and with bodies rather than the abstract soul. In “Relating Narratives” Cavarero takes up Arendt’s distinction between what someone is and who someone is: the who is shown not by a definition but by the life story that others can tell, so that the self is from the outset exposed and related to others. Judith Butler built on this in “Giving an Account of Oneself” (2005), while stressing more strongly that the self remains partly opaque to itself. Later books extend the approach to the voice as the unique sound of a body, to violence against the defenceless, which Cavarero calls “horrorism”, and to a critique of the upright, self-sufficient subject in favour of a posture of inclination and care. The work draws on Luce Irigaray’s thought of sexual difference and on the collective work of Diotima. Some readers have asked whether an ethics of uniqueness and narration can account for social structures and conflict; Cavarero’s later work on plurality and democracy takes up this question.
生平与背景
Adriana Cavarero was born on 7 May 1947 in Bra in Piedmont. After studying philosophy, Cavarero worked at the University of Padua until 1984; Cavarero’s first book, “Dialettica e politica in Platone” (1974), dealt with Plato’s political thought. In 1983 Cavarero was among the founders of the women’s philosophical community Diotima at the University of Verona, together with Luisa Muraro and others, and contributed to its first collective volume, “Il pensiero della differenza sessuale” (1987). At Verona Cavarero became professor of political philosophy and has also taught as a visiting professor in the United States, among others at New York University. “In Spite of Plato” (1990) was translated into German in 1992 and into English in 1995. It was followed by “Stately Bodies” (Corpo in figure, 1995), on images of the body politic, “Relating Narratives” (1997), “For More than One Voice” (A più voci, 2003), on the voice, “Horrorism” (Orrorismo, 2007), on violence against the defenceless, “Inclinations” (Inclinazioni), a critique of the upright subject, and “Surging Democracy” (Democrazia sorgiva, 2019). All of them have appeared in English and are widely discussed in feminist and political theory.
其他主要作品
- In Spite of Plato (Nonostante Platone, 1990)
- Stately Bodies (Corpo in figure, 1995)
- Relating Narratives (Tu che mi guardi, tu che mi racconti, 1997)
- For More than One Voice (A più voci, 2003)
- Horrorism (Orrorismo, 2007)
- Surging Democracy (Democrazia sorgiva, 2019)
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