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西尔维娅·里韦拉·库西坎基

1949年生

初步了解有意简化——人物介绍讲得更多

原住民世界与欧洲世界在玻利维亚并存而没有融为一体,而去殖民化必须在实践中去过,而不只是在国外的大学里写成文章。

定位

拉丁美洲与加勒比哲学 · 拉丁美洲与加勒比 · 社会与历史, 政治与法, 认识论

玻利维亚社会学家和口述史学家:殖民支配以“内部殖民主义”的形式在共和国之内延续;针对整齐的混杂性观念,她提出艾马拉人的 ch’ixi 概念——差异共存而不融合——并指责北美的去殖民理论把安第斯的观念变成了学术资本。

核心思想

  • Ch’ixi:共存而不融合
  • 内部殖民主义
  • 与艾马拉社群的口述史
  • 去殖民化作为实践

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影响

受影响于 2

  • 费利佩·瓜曼·波马·德·阿亚拉

    受其影响

    Rivera Cusicanqui read Guaman Poma’s drawings as a visual theory of colonial society that says what the written text cannot (Sociología de la imagen, 2015). S. Rivera Cusicanqui, Sociología de la imagen: Miradas ch’ixi desde la historia andina (2015); Ch’ixinakax utxiwa (2010)

    依据: AI 草稿

    费利佩·瓜曼·波马·德·阿亚拉 › 约1535–1616年

  • 福斯托·雷纳加

    受其影响

    Rivera Cusicanqui, who in 1984 treated Reinaga’s indianismo as a minor strand of the Aymara movement, later called him a fundamental thinker of Aymara-Quechua renewal (La Jornada, 2015). S. Rivera Cusicanqui, Oprimidos pero no vencidos (1984); “Hambre de conocimiento indígena”, La Jornada (11 Apr. 2015), on her Hambre de huelga (2014)

    依据: AI 草稿

    福斯托·雷纳加 › 1906–1994

批评

批评了 1

  • 瓦尔特·米尼奥罗

    批评了

    Rivera Cusicanqui insisted that decolonisation is a practice before a discourse and accused Mignolo of turning Andean thinkers’ ideas into academic capital without citing them (‘Ch’ixinakax utxiwa’, 2010). S. Rivera Cusicanqui, Ch’ixinakax utxiwa: una reflexión sobre prácticas y discursos descolonizadores (2010); Engl. in South Atlantic Quarterly 111 (2012)

    依据: AI 草稿

    瓦尔特·米尼奥罗 › 1941年生

作品

立场

Oppressed but Not Defeated (1984), her history of Aymara and Quechua peasant struggles from 1900 to 1980, distinguished two layers of memory: a “short memory” of the 1952 revolution and its land reform, and a “long memory” of anticolonial revolt reaching back to Tupac Katari’s siege of La Paz in 1781. Bolivia, she argued, had never ceased to be a colonial society; independence and revolution had left an “internal colonialism” intact, in which the line between indigenous and non-indigenous organised work, land and citizenship. Against both the national ideology of mestizaje and the official multiculturalism of the 1990s, which recognised indigenous people as folkloric figures of the past, she set the Aymara word ch’ixi, a grey made of tiny black and white dots: different worlds coexist and contend without merging into a harmonious whole. In Ch’ixinakax utxiwa (2010) she insisted that decolonisation is a practice before it is a discourse and accused North American decolonial theorists, Walter Mignolo by name, of building “a small empire within the empire” by turning the ideas of Andean thinkers into academic capital without citing them. Her Sociología de la imagen (2015) reads images, from Guaman Poma’s drawings to photographs, as sources of a knowledge that writing has suppressed. Her critique has been widely taken up, including in the North American universities she criticised.

生平与背景

Silvia Rivera Cusicanqui was born in La Paz in 1949 into a family of Aymara and European descent, and she describes herself as ch’ixi rather than mestiza. She studied sociology at the Universidad Mayor de San Andrés (UMSA) in La Paz, graduating in 1976, and took a master’s degree in social sciences at the Pontifical Catholic University of Peru in 1979. In 1983 she co-founded with mainly Aymara students the Taller de Historia Oral Andina (THOA), which used oral history to recover the memory of indigenous uprisings and helped revive the ayllus, the traditional Andean communities. She taught sociology at UMSA for decades and is now professor emerita; she has also held visiting posts in the United States, Spain and Argentina. She has worked with the Katarist movement, coca growers and migrant Aymara women, and with collectives that combine research, art and political action. In later years she became a critic, from the left, of Evo Morales’s government and its use of indigenous symbols.

其他主要作品

  • Oppressed but Not Defeated (Oprimidos pero no vencidos, 1984)
  • Las fronteras de la coca (2003)
  • Sociología de la imagen (2015)
  • Un mundo ch’ixi es posible (2018)

出现在

来源: Wikipedia · Wikidata

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