李泽厚
理性和我们的审美感觉不是天生的,而是在历史中通过人类的劳动和实践沉淀在我们身上的。
定位
后毛泽东时代“美学热”的哲学家:透过马克思与孔子来阅读康德——理性与美在历史中从人的实践里“积淀”而来。
核心思想
- 积淀
- 人类学历史本体论
- 美学作为第一哲学
影响
受影响于 3
孔子
受其影响
In Reading the Analects Today (Lunyu jindu, 1998) Li Zehou read Confucius’ teaching as the core of a Chinese culture of this-worldly joy and reason infused with feeling. Li Zehou, Lunyu jindu (1998); J. S. Rošker, Following His Own Path: Li Zehou and Contemporary Chinese Philosophy (2019)
依据: AI 草稿
孔子 › 相传 公元前551—前479年
伊曼努尔·康德
受其影响
In Critique of Critical Philosophy (1979) Li Zehou read Kant’s a priori forms of knowledge and morality as products of collective practice, calling this process ‘sedimentation’. Li Zehou, Pipan zhexue de pipan: Kangde shuping (1979), Eng. A New Approach to Kant (2018); J. S. Rošker, Following His Own Path: Li Zehou and Contemporary Chinese Philosophy (2019)
依据: AI 草稿
伊曼努尔·康德 › 1724–1804
卡尔·马克思
受其影响
Li Zehou took from Marx the primacy of material practice, above all making and using tools, as the ground of his anthropo-historical ontology (Pipan zhexue de pipan, 1979). Li Zehou, Pipan zhexue de pipan (1979); J. S. Rošker, Following His Own Path: Li Zehou and Contemporary Chinese Philosophy (2019)
依据: AI 草稿
卡尔·马克思 › 1818–1883
作品
- 1979批判哲学的批判
通过马克思来读康德:理性与美的形式是从人类集体实践中历史地“积淀”而成的。
立场
Li Zehou combined Marx, Kant and Confucius in an “anthropo-historical ontology”. Kant was right that knowledge and morality have universal forms, but these are not given a priori: they are “sedimented” over millennia from collective practice, above all the making and using of tools, and form a cultural-psychological structure in each individual. Beauty marks the point where nature has been humanised and reason has become feeling; hence aesthetics can be first philosophy. Chinese culture, shaped by Confucius, is for him a culture of this-worldly joy and of reason infused with feeling. His books fuelled the “aesthetics fever” of the 1980s and made him a guide for a generation of students.
生平与背景
Li Zehou was born in 1930 in Changsha (Hunan), studied philosophy at Peking University and then worked at the Institute of Philosophy in Beijing. He made his name in the aesthetics debates of the 1950s; sent to a re-education cadre school in the Cultural Revolution, he secretly worked on Kant there. Criticised after 1989, he moved to the United States in 1992 and died in Boulder, Colorado, in 2021.
其他主要作品
- Critique of Critical Philosophy: A Study of Kant (1979)
- The Path of Beauty (Mei de licheng, 1981)
- Essays on the History of Ancient Chinese Thought (Zhongguo gudai sixiang shilun, 1985)
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