莉安·贝塔萨莫萨克·辛普森

作品

• 2011在我们的龟背上起舞

  借助尼什纳贝格人的故事、语言和长者的教导，把去殖民化描述为重建原住民的生活方式，而不是向国家提出的要求。

• 2017如我们一向所为：通过激进抵抗实现原住民的自由

  主张定居者殖民主义是一种剥夺结构，原住民的自由需要“激进的复兴”：植根于土地的生活与知识形式，拒绝掠夺主义和异性恋父权制，并与黑人的斗争团结。

立场

Simpson is on the map as a leading theorist of Indigenous resurgence: the turn away from seeking recognition, rights and reconciliation from the settler state towards rebuilding Indigenous nations on their own terms. “Dancing on Our Turtle’s Back” (2011) develops the idea from Nishnaabeg stories, language and treaty traditions; Glen Coulthard built on it in “Red Skin, White Masks” (2014), and Simpson in turn took up Coulthard’s concept of “grounded normativity”, the ethics generated by land-based practices and knowledge, on which the two wrote jointly in 2016. In “As We Have Always Done” (2017) Simpson describes settler colonialism as a structure of dispossession that targets land and Indigenous bodies, and calls for “radical resurgence”: land-based life and learning, a refusal of extractivism – including the extraction of Indigenous ideas –, the rejection of heteropatriarchy and alliances with Black radical thought. The essay “Land as Pedagogy” (2014) argues that Nishnaabeg intelligence is produced in relationships with the land, so that learning on the land is itself education and theory. “As We Have Always Done” received the Best Subsequent Book award of the Native American and Indigenous Studies Association.

生平与背景

Leanne Betasamosake Simpson was born in 1971 and is Michi Saagiig Nishnaabeg and a member of Alderville First Nation in Ontario. Simpson studied biology at the University of Guelph and at Mount Allison University and took a doctorate in interdisciplinary studies at the University of Manitoba. Alongside academic study Simpson learned from Nishnaabeg elders, among them Doug Williams (Gidigaa Migizi). Simpson has taught at several universities, among them as a visiting scholar at McGill University and in 2017 as a distinguished visiting professor at Ryerson University (now Toronto Metropolitan University), and is on the faculty of the Dechinta Centre for Research and Learning in the Northwest Territories, a land-based university programme. With the Kino-nda-niimi Collective Simpson co-edited “The Winter We Danced” (2014) on the Idle No More movement. Simpson is also a writer of fiction and poetry and a musician: the novel “Noopiming: The Cure for White Ladies” was shortlisted for the Governor General’s Award in 2020, the album “Theory of Ice” for the Polaris Music Prize in 2021, and “Theory of Water” received the Hilary Weston Writers’ Trust Prize for Nonfiction in 2025.

其他主要作品

• Dancing on Our Turtle’s Back: Stories of Nishnaabeg Re-Creation, Resurgence and a New Emergence (2011)
• Islands of Decolonial Love (stories and poems, 2013)
• Land as Pedagogy: Nishnaabeg Intelligence and Rebellious Transformation (Decolonization 3, 2014)
• As We Have Always Done: Indigenous Freedom through Radical Resistance (2017)
• Noopiming: The Cure for White Ladies (novel, 2020)
• Rehearsals for Living (with Robyn Maynard, 2022)