米哈伊尔·巴赫金
每个人都在存在中占据一个独一无二的位置,别人无法替他应答;生活和说话就是回应他人,意义产生于多种声音的对话之中,而任何单一的声音都无法将其吞没。
定位
俄罗斯哲学家和文学理论家,早年提出一种关于独一无二、须承担“应答”责任的行为的伦理学,后来在陀思妥耶夫斯基的小说中发现了由各自独立的声音构成的复调;他关于对话与狂欢的思想在20世纪60年代被重新发现。
核心思想
- 对话主义
- 复调
- 狂欢与怪诞
- 行为的应答性
影响
受影响于 2
费奥多尔·陀思妥耶夫斯基
受其影响 ✓
In his Dostoevsky book (1929; revised 1963) Bakhtin argued that the novelist lets independent voices meet without subordinating them to one authorial truth, and called this polyphony. M. M. Bakhtin, Problemy tvorčestva Dostoevskogo (1929); Problemy poėtiki Dostoevskogo (1963)
依据: 亦见于 Wikidata · Wikidata
费奥多尔·陀思妥耶夫斯基 › 1821–1881
马克斯·舍勒
受其影响
In ‘Author and Hero in Aesthetic Activity’ (early 1920s; publ. 1979) Bakhtin drew on Scheler’s critique of empathy as fusion (1913) for the author’s outsideness. M. M. Bakhtin, “Author and Hero in Aesthetic Activity” (early 1920s; publ. 1979); M. Scheler, Zur Phänomenologie und Theorie der Sympathiegefühle (1913); Wesen und Formen der Sympathie (1923); B. Poole, “From phenomenology to dialogue”, in K. Hirschkop and D. Shepherd (eds.), Bakhtin and Cultural Theory (2nd ed., 2001)
依据: AI 草稿
马克斯·舍勒 › 1874–1928
影响了 2
茨维坦·托多罗夫
影响了
Todorov presented Bakhtin’s work as a theory of the dialogical principle (Mikhaïl Bakhtine, le principe dialogique, 1981), marking his own turn from structural poetics to dialogue and otherness. T. Todorov, Mikhaïl Bakhtine, le principe dialogique (1981); Critique de la critique (1984)
依据: AI 草稿
茨维坦·托多罗夫 › 1939–2017
朱莉娅·克里斯蒂娃
影响了 ✓
In ‘Le mot, le dialogue et le roman’ (1967) Kristeva derived intertextuality from Bakhtin’s dialogism: every text absorbs and transforms other texts. J. Kristeva, “Le mot, le dialogue et le roman”, Critique (1967), in Sēmeiōtikē. Recherches pour une sémanalyse (1969)
依据: 亦见于 Wikidata · Wikidata
朱莉娅·克里斯蒂娃 › 1941年生
作品
- 1929陀思妥耶夫斯基创作问题
陀思妥耶夫斯基创造了复调小说,其中人物的声音作为独立的意识与作者的声音并立(修订版1963年)。
研究中世纪和文艺复兴时期的狂欢节文化:笑、怪诞的身体以及等级秩序的暂时颠倒。
立场
Bakhtin’s early fragments, written around 1920 and published only in the 1980s, develop an ethics of the singular act: each person occupies a unique place in being, for which there is no alibi, and theoretical systems miss this answerability. In the Dostoevsky book he argued that the novelist does not subordinate his characters to one authorial truth but lets independent voices meet – polyphony. Later essays such as “Discourse in the Novel” (1934–35) treat every utterance as a response within a dialogue of social languages. The Rabelais book reads popular laughter and carnival as a temporary suspension of hierarchy. Julia Kristeva introduced him in France in 1967 and derived intertextuality from his dialogism; Tzvetan Todorov presented him as the theorist of the dialogical principle (1981). Whether Bakhtin wrote the books published under the names of Voloshinov (“Marxism and the Philosophy of Language”, 1929) and Medvedev (“The Formal Method in Literary Scholarship”, 1928) is disputed: Vyacheslav Ivanov claimed so in 1973, Katerina Clark and Michael Holquist (1984) largely agreed, while many scholars treat them as works of their named authors within a shared circle. Critics such as Terry Eagleton have called carnival a licensed release that confirms rather than overturns order.
生平与背景
Mikhail Mikhailovich Bakhtin was born on 16 November 1895 in Oryol into a family of bank employees. He later stated that he had studied classics at Petrograd University; whether he completed a degree is not documented and is doubted in recent research. From 1918 he taught in Nevel and from 1920 in Vitebsk, where a circle formed around him that included the philosopher Matvei Kagan, the musicologist Valentin Voloshinov and the literary scholar Pavel Medvedev. In 1924 he moved to Leningrad. In December 1928 he was arrested in connection with a religious-philosophical circle; his Dostoevsky book appeared in 1929, and his sentence of five years in the Solovki camp was commuted to exile in Kustanai in Kazakhstan, where he lived until 1936, working among other things as a bookkeeper. He then taught in Saransk, lived in small towns near Moscow, lost a leg to osteomyelitis in 1938 and in 1940 submitted his dissertation on Rabelais, defended in 1946. From 1945 to 1961 he taught at the pedagogical institute, later the university, in Saransk. He saw the revised Dostoevsky book (1963) and the Rabelais book (1965) published. He died in Moscow on 7 March 1975.
其他主要作品
- Toward a Philosophy of the Act (K filosofii postupka, written early 1920s, published 1986)
- Author and Hero in Aesthetic Activity (Avtor i geroi v esteticheskoi deiatel’nosti, written 1920s, published 1979)
- Problems of Dostoevsky’s Art (Problemy tvorchestva Dostoevskogo, 1929; revised as Problems of Dostoevsky’s Poetics, Problemy poetiki Dostoevskogo, 1963)
- Discourse in the Novel (Slovo v romane, written 1934–35, published 1975)
- Rabelais and His World (Tvorchestvo Fransua Rable i narodnaia kul’tura srednevekov’ia i Renessansa, 1965)
- The Problem of Speech Genres (Problema rechevykh zhanrov, written early 1950s, published 1979)
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