José Vasconcelos
For Vasconcelos, beauty and feeling, not cold science, unite the world, and he hoped the mixing of all peoples would create a new universal humanity – a vision criticised for still ranking “races”.
Placement
Mexican philosopher and minister of education: against positivism he proposed an aesthetic monism and the vision of a “cosmic race” arising from the mixing of peoples – later criticised for its racial thinking.
Key ideas
- The cosmic race
- Aesthetic monism
- Critique of positivism
Influence
Influenced by 4
Pythagoras
influenced by
Vasconcelos took Pythagoras’ doctrine of number and harmony as the model for a theory of rhythm uniting the cosmos, art and soul (Pitágoras: una teoría del ritmo, 1916). J. Vasconcelos, Pitágoras: Una teoría del ritmo (1916); El monismo estético (1918)
Evidence: AI draft
Pythagoras › traditionally c. 570–495 BCE
Siddhartha Gautama (Buddha)
influenced by
Vasconcelos’s Hindustani Studies (1920) presented Brahmanic thought, the Buddha and Buddhism, and yoga to Spanish-speaking readers as part of his search for a spiritual alternative to positivism. J. Vasconcelos, Estudios indostánicos (Madrid, 1920)
Evidence: AI draft
Siddhartha Gautama (Buddha) › c. 480–400 BCE · conventionally dated 563–483 BCE
Arthur Schopenhauer
influenced by
Vasconcelos took from Schopenhauer the redemptive power of aesthetic contemplation, making art the highest form of knowledge in his aesthetic monism (El monismo estético, 1918). J. Vasconcelos, El monismo estético (1918); Estética (1936)
Evidence: AI draft
Arthur Schopenhauer › 1788–1860
Henri Bergson
influenced by
Vasconcelos drew on Bergson’s creative evolution and intuition for an aesthetic monism in which history rises towards a spiritual, aesthetic stage (La raza cósmica, 1925). J. Vasconcelos, La raza cósmica (1925); El monismo estético (1918)
Evidence: AI draft
Henri Bergson › 1859–1941
Influenced 1
Gloria Anzaldúa
influenced
Anzaldúa began ‘La conciencia de la mestiza’ with Vasconcelos’s cosmic race, rereading it as a vision of inclusion rather than purity (Borderlands/La Frontera, 1987). G. Anzaldúa, Borderlands/La Frontera: The New Mestiza (1987); J. Vasconcelos, La raza cósmica (1925)
Evidence: AI draft
Gloria Anzaldúa › 1942–2004
Criticism
Criticizes 1
Auguste Comte
criticised
Vasconcelos and the Ateneo de la Juventud rejected the Comtean positivism of Porfirian Mexico for a philosophy of emotion and beauty (lecture on Gabino Barreda, 1910). J. Vasconcelos, “Don Gabino Barreda y las ideas contemporáneas”, lecture at the Ateneo de la Juventud (1910); La raza cósmica (1925)
Evidence: AI draft
Auguste Comte › 1798–1857
Works
- 1925The Cosmic Race
Latin America’s mixing of peoples heralds a fifth, “cosmic” race and an aesthetic age of humanity – a vision of mixing that still ranks races and has been criticised for erasing Black and Indigenous peoples.
Position
Vasconcelos opposed positivism with a philosophy of emotion, rhythm and beauty. In his “aesthetic monism” reality is one energy rising from the physical through the living to the spiritual, fulfilled in aesthetic experience; Pythagoras, Schopenhauer and Bergson were key sources. The Cosmic Race predicted that the mixing of white, Indigenous, Black and Asian peoples in Latin America would produce a fifth, universal race and an aesthetic age. Critics have shown that the essay retains racial hierarchies, imagines a kind of aesthetic eugenics and helped make mestizaje a state ideology that obscured Indigenous and Black peoples. Around 1940 he openly sympathised with fascism. Anzaldúa reworked his idea in Borderlands.
Life & context
José Vasconcelos was born in Oaxaca in 1882 and studied law in Mexico City. In 1909 he co-founded the Ateneo de la Juventud, a circle opposed to the official positivism, and joined the revolution. As rector of the National University (1920) and minister of education (1921–24) he led literacy campaigns and commissioned the muralists. After losing the disputed presidential election of 1929 he went into exile; he died in 1959.
Further main works
- Pythagoras: A Theory of Rhythm (Pitágoras: una teoría del ritmo, 1916)
- Aesthetic Monism (El monismo estético, 1918)
- A Mexican Ulysses (Ulises criollo, autobiography, 1935)
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