Debate
The Sokal Affair
1996 · When the humanities and social sciences borrow concepts from physics and mathematics or describe scientific knowledge as socially constructed, what standards of competence and evidence apply – and what, if anything, can a hoax prove?
In spring 1996 the cultural-studies journal Social Text published, in a special issue on the “Science Wars”, an article by the New York University physicist Alan Sokal, “Transgressing the Boundaries: Toward a Transformative Hermeneutics of Quantum Gravity”. Three weeks later Sokal revealed in Lingua Franca that it was a parody, written to test whether such a journal would publish an article “liberally salted with nonsense” if it sounded good and flattered the editors’ ideological preconceptions. In 1997 he and the Louvain physicist Jean Bricmont published Impostures intellectuelles (English 1998: Intellectual Impostures, Fashionable Nonsense), criticising the use of scientific concepts by Lacan, Kristeva, Irigaray, Latour, Baudrillard, Deleuze and Guattari, Virilio and others, and epistemic relativism. The ensuing debate in the United States and France concerned scientific standards, science studies, editorial practice and the politics of the academic left.
Positions
Defending evidence – and the left
Sokal argued that the hoax exposed a decline of intellectual rigour in parts of the humanities: the editors had published an article on quantum physics without consulting anyone competent, because they liked its conclusion. He insisted that a real world exists, that its properties cannot be reduced to social constructions, and that facts and evidence count. He presented the parody as a defence of the left’s own tradition of reason against epistemic relativism: he was a leftist (and feminist), he explained, thanks to evidence and logic rather than in spite of them. In their book Sokal and Bricmont state that their target is not philosophy, the humanities or the social sciences as a whole, but specific abuses – scientific terms used without understanding or justification – and the confusions of epistemic relativism.
A breach of trust and a caricature of science studies
The Social Text editors Bruce Robbins and Andrew Ross called the deception a “breach of ethics” casting suspicion on unknown authors, and wrote that to construe their decision as “proof of the bankruptcy of cultural studies is absurd”. Stanley Fish, executive director of Duke University Press, which published Social Text, argued in the New York Times that what is socially constructed is not the world but our ways of knowing it – as balls and strikes in baseball are both constructed and real. Latour saw a transatlantic war casting France as a kind of Colombia exporting intellectual drugs. Derrida replied in Le Monde (“Sokal et Bricmont ne sont pas sérieux”, 1997) that a serious study of scientific metaphors would have required careful reading, which was lacking.
Held by
- Jacques Derrida1930–2004
- Bruno Latour1947–2022
What a hoax can and cannot prove
A third reading locates the main lesson in editorial practice and the conditions of interdisciplinary work. Social Text, as its editors stressed, was a non-refereed journal run by an editorial collective in the “little magazine” tradition of the independent left. The journalism scholar Jay Rosen argued in Tikkun (1996) that the editors should have admitted the mistake at once and examined in public which standards they had diluted to accept an article they neither understood nor respected. Sokal himself conceded (1998) that the mere fact of publication tells us little: it did not show that cultural studies or the sociology of science were nonsense, only that one journal’s editors had published physics they could not judge without asking anyone competent.
Read more
- Alan D. Sokal: Transgressing the Boundaries: Toward a Transformative Hermeneutics of Quantum Gravity (Social Text 46/47, 1996)
- Alan Sokal, Jean Bricmont: Intellectual Impostures (Éditions Odile Jacob, 1997)
- Transatlantic thought war (Times Higher Education, 7 March 1997)
- John Sturrock: Le pauvre Sokal (London Review of Books, 16 July 1998)
As of 10/2026. Summaries for orientation – the sources give the full arguments. · How Agora is made