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阿尔吉达斯·朱利安·格雷马斯

1917–1992

初步了解有意简化——人物介绍讲得更多

意义产生于差异:每个故事之下都有少数几种角色——主体与客体、发送者与接受者、辅助者与反对者——以及符号学能够揭示的少量逻辑关系。

定位

结构主义与后结构主义 · 东欧 · 语言

立陶宛符号学家,1917年生于图拉,在法国工作,他发展了一种结构语义学和一种叙事语法:“行动元模型”(主体、客体、辅助者、反对者……)以及表示对立关系的符号学方阵。

核心思想

  • 行动元模型
  • 符号学方阵
  • 结构语义学
  • 巴黎符号学派

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影响

受影响于 2

  • 费迪南·德·索绪尔

    受其影响

    Greimas extended Saussure’s principle that meaning arises from differences, via Hjelmslev, to semantics, breaking meaning down into semes and isotopies (Sémantique structurale, 1966). A. J. Greimas, Sémantique structurale (1966); F. de Saussure, Cours de linguistique générale (1916)

    依据: AI 草稿

    费迪南·德·索绪尔 › 1857–1913

  • 克洛德·列维-斯特劳斯

    受其影响

    Greimas drew on Lévi-Strauss’s analysis of myth for his actantial model (Sémantique structurale, 1966) and reworked his Bororo reference myth in an essay on mythic narrative (1966). A. J. Greimas, Sémantique structurale (1966); “Éléments pour une théorie de l’interprétation du récit mythique”, Communications 8 (1966); C. Lévi-Strauss, Le cru et le cuit (1964)

    依据: AI 草稿

    克洛德·列维-斯特劳斯 › 1908–2009

批评

受批评于 1

  • 保罗·利科

    受其批评

    Ricœur argued that Greimas’s semiotic model of narrative presupposes, rather than replaces, the temporal understanding of plot from which it is derived (Temps et récit II, 1984). P. Ricœur, Temps et récit II (1984), ch. 2; “La grammaire narrative de Greimas” (1980)

    依据: AI 草稿

    保罗·利科 › 1913–2005

作品

  • 发展了一种以最小意义单位(义素)为基础的语义学,并提出叙事的行动元模型。

  • 符号学理论论文集,其中包括符号学方阵,它描绘概念之间的反对、矛盾与蕴涵关系。

立场

Greimas transferred structural linguistics to the analysis of meaning. In “Structural Semantics” (1966), starting from Saussure and Louis Hjelmslev, he broke meaning down into minimal features (semes) and identified recurrent “isotopies” that make a text readable as coherent. From Vladimir Propp’s analysis of the Russian folktale, Étienne Souriau’s dramatic situations and Lévi-Strauss’s analysis of myth he derived the actantial model: six roles – subject and object, sender and receiver, helper and opponent – that underlie narratives. In “The Interaction of Semiotic Constraints” (with François Rastier, 1968), reprinted in “On Meaning” (1970), he developed the semiotic square, which relates a term to its contrary, its contradictory and the implications between them. Later work with Joseph Courtés (an analytical dictionary of semiotics, 1979) and Jacques Fontanille (“The Semiotics of Passions”, 1991) extended the model to modalities and emotions. The Paris School shaped literary studies, the analysis of media and advertising, and biblical exegesis in France, Italy and Latin America. Paul Ricœur examined Greimas’s narrative grammar closely in “Time and Narrative II” (1984) and argued that its logical model depends on a prior, temporal understanding of action that it cannot account for itself; other critics faulted its formalism and the abstraction of its terminology.

生平与背景

Algirdas Julien Greimas was born on 9 March 1917 in Tula, Russia, to Lithuanian parents, who returned to independent Lithuania after the First World War. He studied law in Kaunas and from 1936 to 1939 French linguistics in Grenoble. Back in Lithuania he did military service and during the war taught at a secondary school in Marijampolė. In 1944 he left for France, where in 1949 he took his doctorate at the Sorbonne with a thesis on the vocabulary of fashion around 1830. He then taught French in Alexandria (1949–58), where he met Roland Barthes, afterwards in Ankara and Istanbul, and from 1962 at the University of Poitiers. In 1965 he became director of studies at the École pratique des hautes études in Paris; until his retirement in 1985 his seminar formed the core of the “Paris School” of semiotics. He was among the founders of the International Association for Semiotic Studies (1969). Alongside his theoretical work he wrote studies of Lithuanian mythology, published in Lithuanian and French, and essays for the Lithuanian émigré press. He died in Paris on 27 February 1992.

其他主要作品

  • Structural Semantics (Sémantique structurale, 1966)
  • On Meaning (Du sens, 1970)
  • Maupassant: The Semiotics of Text (Maupassant. La sémiotique du texte, 1976)
  • Semiotics and Language: An Analytical Dictionary (with J. Courtés, Sémiotique. Dictionnaire raisonné de la théorie du langage, 1979)
  • Of Gods and Men: Studies in Lithuanian Mythology (Des dieux et des hommes, 1985)
  • The Semiotics of Passions (with J. Fontanille, Sémiotique des passions, 1991)

来源: Wikipedia · Wikidata

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