尤里·洛特曼
文化是由符号系统构成的系统,也是一个共同体的记忆;每个文本都生存在符号域之中,其边界翻译着异质的事物,而文化既渐进地变化,也在不可预见的爆发中变化。
定位
文学学者和符号学家,1950年起在塔尔图(爱沙尼亚)工作,创立了塔尔图—莫斯科学派:文化是由符号系统构成的系统,每个文本都存在于“符号域”之中,即使交流成为可能的意义空间。
核心思想
- 文化符号学
- 符号域
- 第二模式系统
- 文化中的爆发与渐变
影响
受影响于 1
费迪南·德·索绪尔
受其影响
Lotman applied Saussure’s distinction of language and speech to literature, describing art as a secondary modelling system built on natural language (Struktura chudožestvennogo teksta, 1970). Ju. M. Lotman, Struktura chudožestvennogo teksta (1970); Lekcii po struktural’noj poėtike (1964)
依据: AI 草稿
费迪南·德·索绪尔 › 1857–1913
作品
立场
Lotman began with structural poetics: a literary text is a “secondary modelling system” built on natural language, in which rhythm, rhyme and composition themselves carry meaning, so that a poem is a densely organised model of the world. From the late 1960s he extended the approach to culture as a whole – behaviour, everyday life, ritual, the image of space – which he described as a hierarchy of sign systems and as the non-hereditary memory of a community. His studies of the “poetics of everyday behaviour” of the Russian nobility and, with Boris Uspensky, of dual models in Russian culture (1977) became classics of cultural history. In 1984 he introduced the semiosphere, modelled on Vladimir Vernadsky’s biosphere: meaning exists only within a semiotic space whose boundaries filter and translate the foreign. His last book, “Culture and Explosion” (1992), distinguishes gradual from explosive, unpredictable change. Umberto Eco introduced the English collection “Universe of the Mind” (1990), and Lotman’s work became a reference point of cultural semiotics, memory studies and translation theory. Critics have objected that the binary oppositions of his models are schematic, that the dual model of Russian culture flattens its history, and that the semiosphere remains a metaphor that is hard to make operational.
生平与背景
Yuri Mikhailovich Lotman was born on 28 February 1922 in Petrograd into a Jewish family of the intelligentsia. He began studying Russian philology at Leningrad University in 1939, was drafted into the Red Army in 1940 and served in the artillery throughout the Second World War. After graduating in 1950 he found no post in Leningrad during the campaign against “cosmopolitans” and went to Tartu in the Estonian SSR: first to the teachers’ institute, from 1954 to the university, where he headed the chair of Russian literature from 1960 to 1977. With his wife, the literary scholar Zara Mints, he worked on Karamzin, Pushkin and the Decembrists. From 1964 he organised the summer schools on “secondary modelling systems” at Kääriku and edited the series “Trudy po znakovym sistemam” (Sign Systems Studies), the centre of the Tartu–Moscow School with Boris Uspensky, Vyacheslav Ivanov and Vladimir Toporov. For many years he was refused permission to travel abroad, and in 1970 his flat was searched by the KGB. In the late 1980s he gave a television series of lectures on Russian culture. He died in Tartu on 28 October 1993.
其他主要作品
- Lectures on Structural Poetics (Lektsii po struktural’noi poetike, 1964)
- The Structure of the Artistic Text (Struktura khudozhestvennogo teksta, 1970)
- Aleksandr Sergeevich Pushkin: Biography of the Writer (Aleksandr Sergeevich Pushkin. Biografiia pisatelia, 1981)
- On the Semiosphere (O semiosfere, 1984)
- Universe of the Mind: A Semiotic Theory of Culture (English collection, 1990)
- Culture and Explosion (Kul’tura i vzryv, 1992)
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