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巴尔塔萨尔·格拉西安

1601–1658

初步了解有意简化——人物介绍讲得更多

事物不是以其所是,而是以其所显现的样子被看待;审慎就是认识自己和他人、保持克制并选择恰当的时机,智慧就是看穿表象,直至幻灭。

定位

文艺复兴与人文主义 · 南欧 · 伦理学, 美学, 社会与历史

西班牙耶稣会士和巴洛克作家,他以格言传授处世的审慎——如何在欺骗性的表象中明智地行事——并在寓言小说《批评者》中追溯一个人从自然状态到幻灭的一生;叔本华把他的《袖珍神谕》译成德文。

核心思想

  • 审慎的艺术
  • 表象与幻灭(desengaño)
  • 机智与奇思(agudeza)
  • 人生如旅程

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影响

影响了 2

  • 亚瑟·叔本华

    影响了

    Schopenhauer translated Gracián’s Oráculo manual (1832; published 1862) and drew on its worldly prudence in his Aphorisms on the Wisdom of Life (1851). A. Schopenhauer (tr.), Balthazar Gracians Hand-Orakel und Kunst der Weltklugheit (1862); Aphorismen zur Lebensweisheit, in Parerga und Paralipomena (1851)

    依据: AI 草稿

    亚瑟·叔本华 › 1788–1860

  • 弗里德里希·尼采

    影响了 存在争议 ✓

    References to Gracián appear in Nietzsche’s writings and library; S. Santiago Romero (2017) reads the Oracle’s ‘scientific cheerfulness’ as anticipating Nietzsche’s free spirit. S. Santiago Romero, “Arte para ser dichoso. La jovialidad científica de Baltasar Gracián y su relación con Nietzsche”, Logos 27 (2017)

    依据: 亦见于 Wikidata · Wikidata

    弗里德里希·尼采 › 1844–1900

作品

  • 三百条附有评注的格言(中译本常题为《智慧书》),讲述如何在表象的世界中明智行事:认识自己和他人,保持克制,选择恰当的时机。

  • 分为三部分的寓言小说(1651—1657年),理性之人克里蒂洛与自然之人安德雷尼奥一同穿越人生的各个阶段和世间的种种幻象。

立场

Gracián is on the map as a moralist of the Spanish Baroque. His books start from a world in which, as the “Pocket Oracle” puts it, things pass for what they seem rather than for what they are, and they teach the art of acting in it: self-knowledge, reserve, timing, the cultivation of a person who can hold their own at court and in society. Readers have long disagreed whether this is a technique of success or a Christian and Stoic prudence for a deceptive world; the books contain both, and “El Criticón” ends in desengaño, the disillusionment that sees through the world’s illusions. In “Agudeza y arte de ingenio” he gave a theory of conceptismo: wit grasps hidden correspondences between things and expresses them in concise concepts. Translations spread his work across Europe, the Oracle in French as “L’Homme de cour” (1684); Schopenhauer translated it into German and valued “El Criticón” highly; Nietzsche also referred to Gracián, and Sergio Santiago Romero (2017) reads the “scientific cheerfulness” of the Oracle as anticipating Nietzsche’s figure of the free spirit. Hans-Georg Gadamer, in “Truth and Method” (1960), discussed Gracián’s concept of taste as a source of the ideal of social cultivation. Andrenio’s awakening on an island has been compared to Ibn Tufayl’s “Hayy ibn Yaqzan”; whether Gracián knew that story directly is disputed.

生平与背景

Baltasar Gracián was born on 8 January 1601 in Belmonte near Calatayud in Aragon, the son of a physician. He entered the Society of Jesus in 1619, was ordained priest in 1627 and taught philosophy, theology and rhetoric at Jesuit colleges in Aragon, Catalonia and Valencia, among them Calatayud, Lleida, Gandía, Huesca and Zaragoza. In Huesca the scholar and collector Vincencio Juan de Lastanosa became his patron. His books appeared mostly under the name of his brother Lorenzo and without his order’s permission: “The Hero” (1637), “The Politician” (1640), a treatise on wit (1642, enlarged in 1648 as “Agudeza y arte de ingenio”), “The Discreet Man” (1646) and the “Pocket Oracle” (1647). In 1646 he served as an army chaplain in the campaign for Lleida. The three parts of “El Criticón” followed in 1651, 1653 and 1657; only “El Comulgatorio” (1655), a book of meditations for communion, bore his own name. After the third part of “El Criticón” his superiors reprimanded him publicly, removed him from his chair of Scripture in Zaragoza and sent him to Graus. He died in Tarazona on 6 December 1658.

其他主要作品

  • The Hero (El Héroe, 1637)
  • The Discreet Man (El Discreto, 1646)
  • The Pocket Oracle and Art of Prudence (Oráculo manual y arte de prudencia, 1647)
  • The Art of Wit (Agudeza y arte de ingenio, 1648)
  • The Critic (El Criticón, 1651–57)

来源: Wikipedia · Wikidata

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