Rajmund Llull
Prawdę, także prawdę chrześcijaństwa, można by wykazać przez mechaniczne łączenie podstawowych pojęć – wczesna idea logiki jako maszyny.
Umiejscowienie
Majorkański erudyta: jego „Sztuka” łączyła podstawowe pojęcia na obracających się figurach, by przekonać muzułmanów i Żydów do prawd chrześcijańskich – prekursor kombinatoryki.
Kluczowe idee
- Ars combinatoria
- Dialog międzyreligijny
- Logika jako mechanizm
Wpływ
Pod wpływem 2
Augustyn z Hippony
pod wpływem
Llull built his Art on the Augustinian triad of the soul’s powers – memory, understanding and will – which are to remember, know and love God. R. Llull, Ars generalis ultima (1305–08); A. Bonner, The Art and Logic of Ramon Llull (2007); SEP “Ramon Llull”
Źródło: szkic AI
Augustyn z Hippony › 354–430
Al-Ghazali
pod wpływem
Llull adapted the logic of al-Ghazali’s Intentions of the Philosophers in his Compendium logicae Algazelis and its Catalan verse version, the Lògica del Gatzell (c. 1271–72). R. Llull, Compendium logicae Algazelis; Lògica del Gatzell; A. Bonner, The Art and Logic of Ramon Llull (2007); SEP “Ramon Llull”
Źródło: szkic AI
Al-Ghazali › 1058–1111
Wpływ na 3
Mikołaj z Kuzy
wpływ na
Cusanus copied and excerpted Llull’s works, still kept in his library at Kues, and drew on Lullian correlatives for his trinitarian thought. E. Colomer, Nikolaus von Kues und Raimund Llull (1961); SEP “Nicholas of Cusa”; SEP “Ramon Llull”
Źródło: szkic AI
Mikołaj z Kuzy › 1401–1464
Giordano Bruno
wpływ na ✓
Bruno wrote several works on Llull’s art, such as De compendiosa architectura et complemento artis Lullii (1582), and combined its combinatorics with the art of memory. G. Bruno, De compendiosa architectura et complemento artis Lullii (1582); F. A. Yates, The Art of Memory (1966); SEP “Giordano Bruno”
Giordano Bruno › 1548–1600
Gottfried Wilhelm Leibniz
wpływ na ✓
In the Dissertation on the Combinatorial Art (1666) Leibniz took up and generalised Llull’s art of combining basic concepts, aiming at an alphabet of human thoughts. G. W. Leibniz, Dissertatio de arte combinatoria (1666); SEP “Ramon Llull”
Gottfried Wilhelm Leibniz › 1646–1716
Dzieła
Ostateczna postać Sztuki Llulla: łączenie podstawowych pojęć, by odpowiedzieć na każde pytanie.
Stanowisko
Llull wanted to win people of other faiths not by force but by reasons they could accept; in late works such as the Liber de fine (1305), however, he combined his plans for peaceful mission with proposals for a military crusade. His “Art” started from concepts shared by Jews, Christians and Muslims – divine attributes such as goodness, greatness, eternity, power and wisdom – marked them with letters and combined them systematically on rotating concentric discs and tables, so that every question could be answered. In The Book of the Gentile and the Three Wise Men, a Jew, a Christian and a Muslim courteously present their faiths to a seeker, and the book leaves his choice open. Llull also helped found Catalan literary prose. His combinatorics influenced Nicholas of Cusa, Giordano Bruno and Leibniz.
Życie i kontekst
Ramon Llull was born around 1232 in Palma on Majorca, shortly after its Christian conquest. A married courtier, he had visions of the crucified Christ around 1263 and devoted his life to converting Muslims and Jews. He learned Arabic, founded a missionary school at Miramar and travelled to Paris, Rome and North Africa. He wrote over 250 works in Catalan, Latin and Arabic and died in 1316.
Dalsze główne dzieła
- The Book of the Gentile and the Three Wise Men (c. 1274–1276)
- Blanquerna (c. 1283)
Stan na listopad 2026 · Źródła · Ulepsz tę stronę · Jak powstaje Agora