Tzvetan Todorov
To understand others is to recognise them as equals without denying their difference; neither the ethnocentric universalism of conquerors nor a relativism that leaves every culture to itself does justice to human beings.
Placement
Bulgarian-born French theorist who introduced Russian Formalism in France, defined the fantastic as a moment of hesitation between the natural and the supernatural and later turned to the encounter with the other, as in the conquest of America.
Key ideas
- Poetics and narratology
- The fantastic as hesitation
- Encounter with the other
- Critical humanism
Teachers: Roland Barthes
Influence
Influenced by 3
Bartolomé de las Casas
influenced by
In The Conquest of America (1982) Todorov made Las Casas a central figure of his inquiry into how the Spaniards perceived the other: from a love that projects Christian values onto the Indians to the late Las Casas, who held that their sacrifices made sense within their own religion. T. Todorov, La conquête de l’Amérique. La question de l’autre (1982)
Evidence: AI draft
Bartolomé de las Casas › 1484–1566
Mikhail Bakhtin
influenced by
Todorov presented Bakhtin’s work as a theory of the dialogical principle (Mikhaïl Bakhtine, le principe dialogique, 1981), marking his own turn from structural poetics to dialogue and otherness. T. Todorov, Mikhaïl Bakhtine, le principe dialogique (1981); Critique de la critique (1984)
Evidence: AI draft
Mikhail Bakhtin › 1895–1975
Roland Barthes studied with
studied with
Todorov came to Paris from Sofia in 1963, joined Barthes’s seminar at the École pratique des hautes études and wrote his doctoral thesis on Laclos’s Les liaisons dangereuses under his supervision (Littérature et signification, 1967). T. Todorov, Devoirs et délices. Une vie de passeur, with C. Portevin (2002) (passage not checked)
Evidence: AI draft
Roland Barthes › 1915–1980
Criticism
Criticizes 1
Claude Lévi-Strauss
criticised
In Nous et les autres (1989) Todorov criticised Lévi-Strauss’s cultural relativism, arguing that taken consistently it leaves no ground for judging any regime, even a totalitarian one. T. Todorov, Nous et les autres. La réflexion française sur la diversité humaine (1989), part I, chapter “Lévi-Strauss”
Evidence: AI draft
Claude Lévi-Strauss › 1908–2009
Works
Defines the fantastic as the hesitation of a reader between a natural and a supernatural explanation, between the “uncanny” and the “marvellous”.
Studies Columbus, Cortés, Las Casas and Sahagún to ask how Europeans understood – and failed to understand – the Indigenous peoples they conquered.
Position
Todorov’s first contribution was to French structuralism. By translating and presenting the Russian Formalists he gave structuralist literary theory a history of its own, and in “Grammaire du Décaméron” (1969) he proposed the word “narratology” for a science of narrative. “The Fantastic” (1970) defined a genre by the reader’s response: the fantastic lasts as long as the hesitation between a natural and a supernatural explanation; once it is resolved, the text passes into the uncanny or the marvellous. Stanisław Lem criticised the book (1974) for building categories without regard to literary value, Rosemary Jackson (1981) for neglecting the social and psychological meaning of fantasy. His study of Mikhail Bakhtin (1981) helped to introduce Bakhtin in the West and marked his own turn from structure to dialogue. In “The Conquest of America” (1982) and “On Human Diversity” (Nous et les autres, 1989) he asked how others can be recognised as equal and different at once, criticising both ethnocentric universalism and the relativism he found in Lévi-Strauss; later books on totalitarianism, memory and the Enlightenment defended a “critical humanism”. Historians objected to his thesis that the Aztecs were defeated partly because of a different relation to signs and communication, and to his reliance on Spanish sources.
Life & context
Tzvetan Todorov was born on 1 March 1939 in Sofia, where he studied Slavic philology. In 1963 he went to Paris to continue his studies and stayed. Under the supervision of Roland Barthes he wrote a doctorate on Laclos’s “Les Liaisons dangereuses”, published as “Littérature et signification” (1967). In 1965 he published “Théorie de la littérature”, an anthology of the Russian Formalists in French translation with a preface by Roman Jakobson, which made their work known in France. From 1968 he worked at the Centre national de la recherche scientifique (CNRS), where he later became director of research, and in 1970 he founded the journal “Poétique” with Gérard Genette. He taught as a visiting professor at several American universities, among them Yale and Berkeley, and became a French citizen in the 1970s. From the early 1980s he turned from poetics to the history of ideas and to moral and political questions – the conquest of America, the camps of the twentieth century, memory and the European Enlightenment. In 2008 he received the Prince of Asturias Award for Social Sciences. He died in Paris on 7 February 2017.
Further main works
- Theory of Literature (ed., Théorie de la littérature, 1965)
- Grammar of the Decameron (Grammaire du Décaméron, 1969)
- The Fantastic (Introduction à la littérature fantastique, 1970)
- Mikhail Bakhtin: The Dialogical Principle (Mikhaïl Bakhtine, le principe dialogique, 1981)
- The Conquest of America (La Conquête de l’Amérique, 1982)
- On Human Diversity (Nous et les autres, 1989)
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