الرقص على ظهر سلحفاتنا: قصص إعادة خلق النيشنابي وانبعاثه ونشأته الجديدة (Dancing on Our Turtle’s Back)

مقدمة

Simpson published the book in 2011 with Arbeiter Ring in Winnipeg. It develops a theory of decolonisation from within Nishnaabeg thought: from creation and re-creation stories, from the meanings of words in Nishnaabemowin, from treaty relationships and from the teachings of elders, above all Doug Williams. Resurgence here means not a demand addressed to the state but the regeneration of Indigenous ways of living, governing and relating to the land; the story of the turtle’s back, on which the world was re-created after a flood, becomes a model of creative renewal from small acts. Simpson argues that the colonised must first turn towards their own nations and rebuild them. The book was widely read during the Idle No More movement of 2012–13 and became a point of reference for Glen Coulthard’s “Red Skin, White Masks” (2014).

الصلات

جرى تناوله في

• كما فعلنا دائمًا: الحرية الأصلية عبر المقاومة الجذرية (As We Have Always Done)2017 · ليان بيتاساموساكي سيمبسون

مزيد من أعمال ليان بيتاساموساكي سيمبسون

• 2017كما فعلنا دائمًا: الحرية الأصلية عبر المقاومة الجذرية (As We Have Always Done)