作为表现的科学和一般语言学的美学

简介

The “Aesthetic” appeared in 1902 as the first part of Croce’s philosophy of spirit; an English translation by Douglas Ainslie followed in 1909. Its theoretical part identifies intuition with expression: to intuit something is already to give it form, and art is nothing other than this expressive intuition, which precedes concepts and is independent of physical facts, utility and morality. From this Croce draws far-reaching consequences – the rejection of fixed literary genres and of rhetoric as a separate doctrine, the identity of aesthetics with the general philosophy of language, and the refusal to judge art by its content. The long historical part runs from antiquity to the nineteenth century and presents Vico as the first to grasp the autonomy of the aesthetic. The book made Croce known in Europe and influenced R. G. Collingwood and, in the United States, the critic Joel Spingarn.

联系

承接了

• 新科学1725 · 詹巴蒂斯塔·维柯

贝内德托·克罗齐 的更多作品

• 1907黑格尔哲学中的活东西和死东西
• 1938作为思想和行动的历史