论历史的概念
历史天使与进步的风暴。
简介
Benjamin wrote these eighteen short theses in Paris in early 1940, a few months before his flight and death. They were not intended for publication; Hannah Arendt brought a copy to Adorno in New York, and the Institute for Social Research first printed them in 1942 in a mimeographed memorial volume. The first thesis compares historical materialism to a chess-playing automaton secretly guided by a hunchbacked dwarf – theology. Thesis IX interprets Paul Klee’s drawing Angelus Novus, which Benjamin owned. The theses attack the Social Democratic faith in progress and historicism’s empathy with the victors: there is no document of culture that is not at the same time a document of barbarism.
瓦尔特·本雅明 的更多作品
- 1935机械复制时代的艺术作品
截至 2026年11月 · 改进本页 · Agora 是如何制作的