Hartmut Rosa
Nowoczesne społeczeństwa wciąż przyspieszają, co wyobcowuje nas ze świata – dobre życie potrzebuje „rezonansu”, responsywnej relacji z ludźmi, naturą i rzeczami, nad którymi nie mamy kontroli.
Umiejscowienie
Socjolog i teoretyk krytyczny w Jenie i Erfurcie: nowoczesne społeczeństwo musi stale przyspieszać, by pozostać stabilne, co nas wyobcowuje; dobre życie to „rezonans” – responsywna relacja ze światem, którego nie możemy kontrolować.
Kluczowe idee
- Przyspieszenie społeczne
- Rezonans
- Niedysponowalność (Unverfügbarkeit)
Nauczyciele: Axel Honneth
Wpływ
Pod wpływem 4
Karol Marks
pod wpływem
Rosa tied social acceleration to capitalism’s compulsion to grow and recast alienation as a mute, indifferent relation to the world (Alienation and Acceleration, 2010). H. Rosa, Beschleunigung (2005); Alienation and Acceleration (2010); Resonanz (2016); SEP “Alienation”
Źródło: szkic AI
Karol Marks › 1818–1883
Max Weber
pod wpływem
Rosa drew on Weber’s Protestant ethic, with its condemnation of wasted time, to trace how the modern compulsion to use time efficiently drives social acceleration (Beschleunigung, 2005). H. Rosa, Beschleunigung. Die Veränderung der Zeitstrukturen in der Moderne (2005); M. Weber, Die protestantische Ethik (1904–05)
Źródło: szkic AI
Max Weber › 1864–1920
Charles Taylor
pod wpływem
Rosa wrote his dissertation on Taylor (Identität und kulturelle Praxis, 1998) and built on Taylor’s strong evaluations and dialogical self in his theory of resonance (Resonanz, 2016). H. Rosa, Identität und kulturelle Praxis. Politische Philosophie nach Charles Taylor (1998); Resonanz. Eine Soziologie der Weltbeziehung (2016)
Źródło: szkic AI
Charles Taylor › ur. 1931
Axel Honneth nauczyciel(ka)
nauczyciel(ka)
Rosa’s doctorate at the Humboldt University in Berlin (1997), a study of Charles Taylor’s political philosophy (Identität und kulturelle Praxis, 1998), was supervised by Herfried Münkler and Axel Honneth. H. Rosa, CV (Max-Weber-Kolleg, Universität Erfurt)
Źródło: szkic AI
Axel Honneth › ur. 1949
Dzieła
Nowoczesne społeczeństwa stabilizują się tylko przez ciągły wzrost i przyspieszenie; dobre życie zależy od „rezonansu” – responsywnych relacji z ludźmi, rzeczami i naturą, których nie da się wytworzyć na zawołanie.
Stanowisko
Rosa argues that modern society is defined by acceleration in three dimensions – technological acceleration, the acceleration of social change and the acceleration of the pace of life – which drive one another in a self-reinforcing cycle. Because modern society can stabilise itself only by growing, accelerating and innovating, people must run ever faster merely to stay in place, and the result is a new form of alienation: a world that has become silent, cold and indifferent to us. In “Resonanz” he describes the opposite of alienation. Resonance is a relationship in which we are touched by something – a person, a piece of music, a landscape, a task – respond to it with our own voice and are transformed by it, without being able to control it. A good life is measured not by the resources we command but by the quality of our relationships to the world. “Unverfügbarkeit” adds that the modern drive to make the world available, calculable and controllable destroys the very resonance it seeks.
Życie i kontekst
Hartmut Rosa (born 1965 in Lörrach) studied political science, philosophy and German in Freiburg and at the London School of Economics. He took his doctorate at the Humboldt University of Berlin in 1997 with a study of Charles Taylor, supervised by Herfried Münkler and Axel Honneth, and qualified as a professor in Jena in 2004 with his work on social acceleration. Since 2005 he has been professor of general and theoretical sociology at the University of Jena, and since 2013 also director of the Max-Weber-Kolleg in Erfurt; he has long been associated with the New School in New York. He received the Leibniz Prize in 2023, and his books have been translated into many languages.
Dalsze główne dzieła
- Social Acceleration (2005)
- Alienation and Acceleration (2010)
- Resonance (2016)
- The Uncontrollability of the World (2018)
- Democracy Needs Religion (2022)
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