Nikołaj Bierdiajew
Bierdiajew głosił sporną tezę: wolność poprzedza byt i nie jest stworzona nawet przez Boga; człowiek jest powołany do tworzenia, a nie tylko do posłuszeństwa, a każda próba narzucenia raju na ziemi zamienia wolność w nowe niewolnictwo.
Umiejscowienie
Rosyjski filozof urodzony w Kijowie, który od marksizmu doszedł do chrześcijańskiej filozofii wolności i twórczości; wydalony z Rosji Sowieckiej w 1922 roku, pracował w Paryżu i tłumaczył rosyjski komunizm jako zsekularyzowaną postać rosyjskiego mesjanizmu.
Kluczowe idee
- Prymat wolności nad bytem
- Twórczość jako powołanie człowieka
- Personalizm
- Rosyjski komunizm jako zsekularyzowany mesjanizm
Wpływ
Pod wpływem 2
Fiodor Dostojewski
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In Dostoevsky’s Worldview (1923) Berdyaev read Dostoevsky as a thinker of human freedom, for whom evil is the tragic consequence of freedom. N. Berdyaev, Mirosozertsanie Dostoevskogo (1923), tr. D. Attwater, Dostoevsky: An Interpretation (1934)
Źródło: także w Wikidanych · Wikidata
Fiodor Dostojewski › 1821–1881
Włodzimierz Sołowjow
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Berdyaev took up Solovyov’s idea of Godmanhood, the union of God and humanity, and in The Russian Idea (1946) placed him at the centre of Russian religious thought. N. Berdyaev, Russkaia ideia (1946); V. V. Zenkovsky, A History of Russian Philosophy (1948–50; tr. 1953)
Źródło: także w Wikidanych · Wikidata
Włodzimierz Sołowjow › 1853–1900
Krytyka
Krytykuje 2
Karol Marks
krytykuje
Berdyaev, once a Marxist, came to see Marxism as a secular religion subordinating the person to the collective (The Origin of Russian Communism, 1937). N. Berdyaev, The Origin of Russian Communism (1937)
Źródło: szkic AI
Karol Marks › 1818–1883
Paweł Florenski
krytykuje
Berdyaev called Florensky’s Pillar and Ground of the Truth (1914) a ‘stylised Orthodoxy’, an aesthetic, archaising pose that flees freedom and modern religious problems. N. Berdyaev, “Stilizovannoe pravoslavie”, Russkaia mysl’ (1914); P. Florensky, Stolp i utverzhdenie istiny (1914)
Źródło: szkic AI
Paweł Florenski › 1882–1937
Dzieła
- 1916Sens twórczości
Twórczość jest odpowiedzią człowieka Bogu: w aktach twórczych wolność przełamuje konieczność danego świata.
- 1946Idea rosyjska
Interpretacja myśli rosyjskiej od słowianofilów do renesansu religijnego jako poszukiwania Królestwa Bożego i sprawiedliwości społecznej.
Stanowisko
Berdyaev is on the map as a philosopher of freedom and a leading voice of the Russian religious renaissance. Taking up Jakob Böhme’s “Ungrund”, he held that freedom is uncreated and precedes being, even God; evil springs from this freedom, and so does the possibility of creation. In “The Meaning of the Creative Act” (1916) he made creativity the vocation of the human being, a continuation of God’s creation rather than mere obedience. From this he developed a personalism that defends the person against the collective and against an objectifying thought that turns persons into things. As a former Marxist he read Russian communism in “The Origin of Russian Communism” (1937) as a secularised form of Russian messianism, and in “Christianity and Antisemitism” (1938) he condemned antisemitism as incompatible with Christianity. Solovyov and Dostoevsky were his main Russian sources; in 1914 he criticised Florensky’s “Pillar” as “stylised Orthodoxy”. In Paris he was in dialogue with Jacques Maritain, Gabriel Marcel and Emmanuel Mounier, whose personalism he influenced. Critics have found his style prophetic rather than argumentative, and his hopes for a renewed Soviet Russia after 1945 were controversial among émigrés.
Życie i kontekst
Nikolai Berdyaev was born on 18 March 1874 in Kyiv into a noble family with a military tradition; his mother came from the princely Kudashev family. He attended the Kyiv cadet corps and studied at Kyiv University, where he joined Marxist circles. Arrested in 1898 and expelled from the university, he was exiled to Vologda in 1900–02. His first book, “Subjectivism and Individualism in Social Philosophy” (1901), with a preface by Peter Struve, already showed his move from Marxism towards idealism. He contributed to the collections “Problems of Idealism” (1902) and “Landmarks” (Vekhi, 1909), lived in St Petersburg and from 1908 in Moscow, and in 1913 was charged with blasphemy for an article defending monks of Mount Athos; war and revolution prevented the trial. After 1917 he founded the Free Academy of Spiritual Culture in Moscow and taught at the university. Arrested twice, he was expelled from Soviet Russia in the autumn of 1922 together with other intellectuals. After two years in Berlin he lived from 1924 in Paris and Clamart, edited the journal “The Way” (Put’) and worked with the YMCA Press. Cambridge awarded him an honorary doctorate in 1947. He died in Clamart on 24 March 1948.
Dalsze główne dzieła
- Subjectivism and Individualism in Social Philosophy (Sub’ektivizm i individualizm v obshchestvennoi filosofii, 1901)
- The Meaning of the Creative Act (Smysl tvorchestva, 1916)
- The New Middle Ages (Novoe srednevekov’e, 1924)
- The Origin of Russian Communism (Istoki i smysl russkogo kommunizma, 1937)
- Slavery and Freedom (O rabstve i svobode cheloveka, 1939)
- The Russian Idea (Russkaia ideia, 1946)
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