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Paulette Nardal

1896–1985

A first way ina deliberate simplification – the portrait says more

Paulette Nardal held that Black students in Paris, like African Americans before them, were moving from imitation of European models to a consciousness of race; Black people of all empires should know one another and join their two cultures in a new humanism.

Placement

African & Africana Philosophy · Society & History, Politics & Law, Gender & Feminism, Aesthetics

Journalist and writer from Martinique, among the first Black women to study at the Sorbonne: in her salon in Clamart and in the bilingual “Revue du monde noir” (1931–32) she brought together African, Antillean and African American intellectuals; her essay “The Awakening of Race Consciousness” traced the path from imitation to a self-confident Black culture and prepared the ground for Négritude.

Key ideas

  • The awakening of race consciousness
  • A Black internationalism across empires
  • Women as pioneers of Négritude
  • A Black humanism of two cultures

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Influence

Influenced by 1

  • Alain Locke

    influenced by

    Paulette Nardal’s “The Awakening of Race Consciousness” (1932) describes a passage from imitation to race consciousness that parallels the phases in Locke’s The New Negro (1925); Locke was a visitor to the Nardal salon. P. Nardal, “L’éveil de la conscience de race chez les étudiants noirs”, La Revue du monde noir 6 (1932); T. D. Sharpley-Whiting, Negritude Women (2002)

    Evidence: AI draft

    Alain Locke › 1885–1954

Influenced 1

  • Léopold Sédar Senghor

    influenced

    Senghor wrote in 1960 that he and his friends had come into contact with Black American writers in 1929–34 through Paulette Nardal and her literary salon. Senghor, letter of February 1960, quoted in L. Kesteloot, Black Writers in French, p. 56; T. D. Sharpley-Whiting, Negritude Women (2002), p. 17

    Evidence: AI draft

    Léopold Sédar Senghor › 1906–2001

Works

  • Essay in the last issue of La Revue du monde noir: Antillean students in Paris, like African Americans before them, pass from imitating European models to a consciousness of race and an interest in Africa; the writers of the New Negro movement showed the way.

Position

Paulette Nardal is on the map as a forerunner and co-creator of the milieu from which Négritude emerged, and as an early theorist of a Black internationalism linking the colonies of the French empire with Black America. The salon in Clamart and La Revue du monde noir, published in French and English, aimed to create intellectual and moral ties among Black people across the world, to study their history and culture, and to join the Latin culture of the Antilles with an awareness of Africa in a Black humanism. In her essay “The Awakening of Race Consciousness among Black Students” (1932) she described how Antillean students in Paris, who had long sought to assimilate to French culture, were coming to a consciousness of race; she set this in a sequence of phases – imitation, then race consciousness – that, as T. Denean Sharpley-Whiting has shown, parallels Alain Locke’s account of the New Negro, and she observed that Antillean women in Paris had felt the need for racial solidarity earlier than the men. Senghor wrote in 1960 that he and his friends had come into contact with Black American writers through her salon; Nardal herself wrote to Senghor’s biographer that the young men had taken up the ideas she and her sister had tossed out and expressed them with flair – the sisters, she said, had blazed the trail for them. For decades she appeared in histories of Négritude only in passing; Sharpley-Whiting’s Negritude Women (2002) and Souleymane Bachir Diagne’s SEP entry on Négritude have made her and Jane Nardal’s contribution visible.

Life & context

Paulette Nardal was born on 12 October 1896 in Le François in Martinique, the eldest of seven daughters of an engineer and a teacher. She trained as a teacher and in 1920 went to Paris, where she studied English at the Sorbonne – among the first Black women to do so – and wrote a thesis on Harriet Beecher Stowe. With her sisters Jane and Andrée she hosted from about 1929 a salon in their flat in Clamart, where Antillean, African and African American intellectuals met; there and through her work as a journalist she came to know writers of the Harlem Renaissance. In 1931–32, with the Haitian doctor Léo Sajous, she edited the bilingual Revue du monde noir. In 1939 she survived the torpedoing of the ship on which she was returning to Martinique, which left her with lasting injuries. Back in Martinique she founded the Rassemblement féminin (1944) to prepare women for their first vote and the journal La femme dans la cité, and directed a choir, La joie de chanter, devoted to Caribbean music. She died in Fort-de-France on 16 February 1985.

Further main works

  • En exil (La Dépêche africaine, 1929)
  • Guide des colonies françaises: Martinique, Guadeloupe, Guyane, Saint-Pierre et Miquelon (1931)
  • La Revue du monde noir (ed. with L. Sajous, 1931–32)
  • L’éveil de la conscience de race chez les étudiants noirs (La Revue du monde noir 6, 1932)
  • Beyond Negritude: Essays from Woman in the City (tr. T. D. Sharpley-Whiting, 2009)

Sources: Wikipedia · Wikidata

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