ऐलीन मोर्टन-रॉबिन्सन
बस्तीवादी राष्ट्र एक स्वामित्वमूलक तर्क पर टिके हैं: मूल निवासियों की भूमि छीनकर वे राष्ट्र, उसकी संस्थाओं और श्वेतता को ही श्वेत संपत्ति मानते हैं, जिससे मूल निवासी संप्रभुता केवल अनदेखी नहीं की जाती बल्कि नकारी जाती है।
पृष्ठभूमि
क्वांडामूका के गोएनपुल लोगों की समाजशास्त्री, आलोचनात्मक मूल निवासी अध्ययन की संस्थापक व्यक्ति: “टॉकिन’ अप टू द व्हाइट वुमन” (2000) मूल निवासी स्त्रियों के दृष्टिकोण से श्वेत नारीवाद की आलोचना करती है; “द व्हाइट पज़ेसिव” (2015) तर्क देती है कि बस्तीवादी राष्ट्र मूल निवासी भूमि पर स्वयं को श्वेत संपत्ति के रूप में गढ़ते हैं।
मुख्य विचार
- मूल निवासी स्त्रियों का स्थिति-बिंदु
- श्वेत नारीवाद की आलोचना
- श्वेत स्वामित्व-भाव
- मूल निवासी संप्रभुता
कृतियाँ
विश्लेषण करती है कि ऑस्ट्रेलियाई नारीवाद ने अपने सिद्धांत और अभ्यास में श्वेत मध्यवर्गीय स्त्रियों के अनुभव को मानक माना, और मूल निवासी स्त्रियों के जीवन-वृत्तांतों के सहारे उनके दृष्टिकोण से उसके सामने “मुखर होकर बोलती” है।
निबंध जो तर्क देते हैं कि ऑस्ट्रेलिया और संयुक्त राज्य जैसे बस्तीवादी राष्ट्र एक “स्वामित्वपरक तर्क” पर बने हैं जिसमें भूमि, राष्ट्र और स्वयं श्वेतता को श्वेत संपत्ति माना जाता है – एक तर्क जो मूल निवासी संप्रभुता को नकारता है।
मत
Moreton-Robinson is on the map as a founding figure of Critical Indigenous Studies in Australia, a field that studies settler societies from Indigenous standpoints instead of treating Indigenous peoples as objects of research. “Talkin’ Up to the White Woman” (2000) asks why Australian feminism, while claiming to speak for all women, took the experience of white middle-class women as the norm; read through the life writings of Indigenous women, whiteness appears as an invisible position of privilege and power. “The White Possessive” (2015) generalises the analysis: settler nations such as Australia and the United States rest on a “possessive logic” in which land, the nation and even the authority to define race are treated as white property, so that Indigenous sovereignty is not merely ignored but actively denied. From this standpoint Moreton-Robinson criticises critical race and whiteness studies in the United States for centring slavery and immigration and leaving Indigenous dispossession aside; how Black and Indigenous experiences of slavery and dispossession relate to each other is itself debated in Black and settler-colonial studies (e.g. T. L. King, The Black Shoals, 2019). The work is a common reference in Indigenous and settler-colonial studies and is often taught alongside Glen Coulthard’s “Red Skin, White Masks”; no documented links yet connect it with others on the map.
जीवन और संदर्भ
Aileen Moreton-Robinson was born in 1956 on Minjerribah (North Stradbroke Island) in Queensland and describes herself as a Goenpul woman of the Quandamooka people. Moreton-Robinson took a first-class honours degree in sociology at the Australian National University and in 1998 a doctorate at Griffith University with a thesis on Indigenous women and feminism in Australia, published in 2000 as “Talkin’ Up to the White Woman”. After teaching Indigenous studies at Griffith University and women’s studies at Flinders University, Moreton-Robinson worked from 2006 to 2019 at the Queensland University of Technology, as professor of Indigenous studies and dean of Indigenous research and engagement, and in 2016 became its first Aboriginal distinguished professor. Moreton-Robinson directed the National Indigenous Research and Knowledges Network, edited the International Journal of Critical Indigenous Studies and edited volumes on whiteness and on Indigenous sovereignty. Honours include a book prize of the Native American and Indigenous Studies Association (2016), election as an International Honorary Member of the American Academy of Arts and Sciences (2020), as the first Indigenous scholar from outside the United States.
अन्य प्रमुख कृतियाँ
- Talkin’ Up to the White Woman: Indigenous Women and Feminism (2000; 20th anniversary ed. 2020)
- Whitening Race: Essays in Social and Cultural Criticism (ed., 2004)
- Sovereign Subjects: Indigenous Sovereignty Matters (ed., 2007)
- The White Possessive: Property, Power, and Indigenous Sovereignty (2015)
- Critical Indigenous Studies: Engagements in First World Locations (ed., 2016)
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