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作品 · 实用主义与美国哲学

情感与形式

1953 · 作者: 苏珊·K. 朗格

一种艺术理论:每种艺术都创造一种“虚幻的”形式——空间、时间、力——来呈现情感的生命。

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简介

Langer’s second major book applies the theory of presentational symbols from Philosophy in a New Key to all the arts, with chapters on each. Every art, she argues, creates a semblance, a “virtual” realm: painting, sculpture and architecture create virtual space, music virtual time, dance a play of virtual powers, literature a virtual history or memory, and drama a virtual future in the mode of destiny. A work of art is therefore an expressive form, a symbol in which we perceive the patterns of feeling, not a report of the artist’s own emotions. The book was much read by art theorists and educators and led to her late three-volume work Mind: An Essay on Human Feeling.

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