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Work · Ancient Greek

Poetics

c. 335 BCE · by Aristotle

Tragedy, mimesis and catharsis – a reply to Plato's critique of the poets.

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Introduction

A short, partly unfinished treatise, perhaps notes for teaching. It deals mainly with tragedy and epic; a second book on comedy is lost, a gap that Umberto Eco used in his novel “The Name of the Rose”. Tragedy is defined as the imitation (mimesis) of a serious action that through pity and fear brings about a catharsis of such emotions, a term whose meaning (purging, purification or clarification) is disputed. The plot (mythos) matters most, with reversal (peripeteia) and recognition. Renaissance critics derived from it the “three unities” of action, time and place, though only the unity of action is Aristotle’s.

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