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Teresa of Ávila

1515–1582

A first way ina deliberate simplification – the portrait says more

Inner prayer is nothing but friendship with the God who loves us; the soul is a castle with many dwellings, and the way inward begins with self-knowledge and humility and ends in union with God.

Placement

Medieval & Scholastic · Southern Europe · Religion, Existence & Self, Mind & Consciousness

Spanish Carmelite nun, reformer of her order and writer, who in her autobiography and in “The Interior Castle” described prayer as a path through the dwellings of the soul towards union with God; in 1970 she was the first woman to be named a Doctor of the Church.

Key ideas

  • The soul as an interior castle
  • Prayer as friendship with God
  • Self-knowledge and humility
  • Reform of the Carmelite order

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Influence

Influenced by 1

  • Augustine

    influenced by

    Teresa described reading Augustine’s Confessions around 1554 as a turning point: she saw herself in his conversion in the garden and wept (Book of Her Life, ch. 9). Teresa of Ávila, Libro de la vida (1565), ch. 9; Augustine, Confessions VIII.12

    Evidence: AI draft

    Augustine › 354–430

Influenced 3

  • Edith Stein

    influenced

    Stein read Teresa’s Life in 1921, before her baptism; as a Carmelite she wrote a short life of Teresa (1934) and interpreted her Interior Castle (‘Die Seelenburg’, 1936). E. Stein, Liebe um Liebe. Leben und Werk der heiligen Teresa von Jesus (1934); “Die Seelenburg” (written 1936), in Endliches und ewiges Sein (publ. 1950); SEP “Edith Stein”

    Evidence: AI draft

    Edith Stein › 1891–1942

  • Jacques Lacan

    influenced

    In his seminar Encore (1972–73; publ. 1975) Lacan took Bernini’s Teresa as an image of a feminine jouissance beyond the phallus, attested by the mystics. J. Lacan, Le séminaire XX: Encore (1972–73; ed. J.-A. Miller, 1975); SEP “Jacques Lacan”

    Evidence: AI draft

    Jacques Lacan › 1901–1981

  • Julia Kristeva

    influenced

    Kristeva devoted the narrative study Thérèse mon amour (2008) to Teresa of Ávila, reading her ecstasies and writing as an experience of love and belief open to psychoanalysis. J. Kristeva, Thérèse mon amour. Sainte Thérèse d’Avila (2008)

    Evidence: AI draft

    Julia Kristeva › b. 1941

Works

  • An autobiography written at the request of her confessors, describing her conversion and four degrees of prayer through the image of watering a garden; published in 1588.

  • Describes the soul as a castle of crystal with seven dwellings through which prayer leads inwards, from self-knowledge to spiritual marriage with God.

Position

Teresa is on the map as a writer of Christian mysticism who is still widely read and as a reformer whose foundations shaped her order. Her books describe inner prayer as friendship with God and analyse its stages with great precision: in the “Life” as four ways of watering a garden, in “The Interior Castle” as seven dwellings of a soul made of crystal, from self-knowledge to spiritual marriage. The way, she insists, begins with humility and self-knowledge and is tested in love of neighbour, not in extraordinary experiences; she had learned the prayer of recollection from Francisco de Osuna’s “Third Spiritual Alphabet”. She wrote in plain, conversational Spanish for her sisters, at a time when the Inquisition distrusted mental prayer, spiritual teaching by women and devotional books in the vernacular; Alison Weber (1990) has shown how a self-deprecating “rhetoric of femininity” allowed her to teach under these conditions. William James drew on her in “The Varieties of Religious Experience” (1902) as a witness to mystical states, while criticising what he saw as the narrowness of her piety. Edith Stein read the “Life” in 1921 before her baptism and wrote a short study of her (1934); Jacques Lacan took Bernini’s statue of Teresa as an image of feminine jouissance (Seminar XX), and Julia Kristeva devoted a long narrative study to her (2008).

Life & context

Teresa Sánchez de Cepeda y Ahumada was born in Ávila on 28 March 1515; her paternal grandfather, a Toledo merchant of Jewish descent, had been reconciled by the Inquisition in 1485. In 1535 she entered the Carmelite convent of the Incarnation in Ávila and took her vows in 1537. A severe illness left her paralysed for a time. Around 1554, before an image of the wounded Christ and while reading Augustine’s Confessions, she underwent a conversion, followed by visions that her confessors at first distrusted. In 1562 she founded the convent of San José in Ávila, the first house of the Discalced Carmelite nuns, with stricter enclosure and poverty; from 1567 further foundations followed in Castile and Andalusia, seventeen in all, and with John of the Cross she began the reform of the friars. Conflicts within the order led in the mid-1570s to an order to withdraw to a convent, and she chose Toledo; the papal nuncio Filippo Sega called her a restless, wandering woman. From the mid-1570s her autobiography lay with the Inquisition. She died in Alba de Tormes on 4 October 1582. Luis de León edited her works in 1588; she was canonised in 1622 and named a Doctor of the Church in 1970.

Further main works

  • The Way of Perfection (Camino de perfección, c. 1566)
  • The Book of the Foundations (Libro de las fundaciones, 1573–82)

Sources: Wikipedia · Wikidata

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