कृति · रूसी धार्मिक दर्शन
इकोनोस्तास
आइकन की व्याख्या दृश्य और अदृश्य संसारों के बीच की सीमा के रूप में करता है और उसके “उलटे परिप्रेक्ष्य” का पुनर्जागरण-परिप्रेक्ष्य के विरुद्ध बचाव करता है; 1922 में लिखा, केवल 1972 में प्रकाशित।
परिचय
Florensky wrote “Iconostasis” in 1922, drawing on his lectures; it could not be published in the Soviet Union and appeared only in 1972 in a theological yearbook of the Moscow Patriarchate. The essay starts from the dream as a boundary between the visible and the invisible world and interprets the icon, and the iconostasis that separates the sanctuary from the nave, as such a boundary: not a picture of the holy but a window through which it appears. Florensky contrasts the icon with Renaissance painting and its linear perspective, which in his view expresses a subjectivist, secular worldview, and defends the “reverse perspective” of the icon as true to another kind of space. The essay has been influential in theology, art history and theories of the image; its verdict on the Renaissance has also been criticised as polemical.
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