الزنجي الجديد: تفسير (The New Negro: An Interpretation)

مقدمة

The anthology grew out of a special issue of the magazine Survey Graphic, “Harlem: Mecca of the New Negro”, which Locke edited in March 1925; the expanded book appeared in December of that year. It gathers poetry, stories, drama and essays by, among others, Langston Hughes, Countee Cullen, Jean Toomer, Zora Neale Hurston, James Weldon Johnson and W. E. B. Du Bois, with portraits by Winold Reiss and designs by Aaron Douglas. Locke’s title essay describes a generation that no longer accepts the image others made of it and expresses itself on its own terms. The book is regarded as the manifesto of the Harlem Renaissance and was read in Paris by the founders of Négritude.

الصلات

جرى تناوله في

• يقظة الوعي العرقي لدى الطلاب السود (L’éveil de la conscience de race chez les étudiants noirs)1932 · بوليت ناردال

مزيد من أعمال آلان ليروي لوك

• 1916الاحتكاكات العِرقية والعلاقات بين الأعراق (Race Contacts and Inter-Racial Relations)