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Work · Phenomenology & Hermeneutics

Problems of Dostoevsky’s Art

1929 · by Mikhail Bakhtin

Dostoevsky created the polyphonic novel, in which the voices of characters stand beside the author’s as independent consciousnesses (revised edition 1963).

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Introduction

Bakhtin’s book appeared in Leningrad in 1929, shortly after his arrest, under the title “Problems of Dostoevsky’s Art”. It argues that Dostoevsky created a new kind of novel: the characters are not objects of the author’s description but subjects with their own consciousness and their own word, and the author speaks with them rather than about them. The unity of such a novel lies not in one worldview but in the interplay of many voices – polyphony. For the second edition of 1963 Bakhtin added a long chapter on genre that traces the polyphonic novel back to the Socratic dialogue, Menippean satire and carnival. The book made Bakhtin known in the 1960s; critics have objected that it underrates the authorial voice and Dostoevsky’s own religious convictions.

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